by Tim Brookes ‧ RELEASE DATE: May 1, 2005
An intelligent work with the quality of a sonorous voice drifting from a radio. (NPR, in fact, will be airing six of his...
With a storyteller’s—and a guitarist’s—sense of pitch and timing, NPR commentator/essayist Brookes (A Hell of a Place to Lose a Cow, 2000, etc.) delivers both a cultural history of the guitar and a chronicle of the intricate process that went into the construction of his own dream instrument.
It all started when airline baggage handlers destroyed Brookes’s guitar. His 50th birthday was approaching; his generous wife suggested a nice new one. Expanding on that idea, he decided to get a custom guitar “that would curl up on my lap like a cat,” built by one of the many fine-instrument makers in his home state of Vermont. The luthier he chose lived nearby, so Brookes was able to observe the process. He shares his observations with readers, who also benefit from his extensive knowledge of the guitar’s past. Interweaving these two stories, warm and droll by turns, Brookes gracefully blends the personal with the factual, never letting one get the upper hand. The guitar-making, a beautiful thing to witness, is still largely a mystery: It seems the physics of guitars is too complex for human understanding, thus the endless tinkering and innovation. The guitar’s history is equally fascinating and just as mysterious, at least in its early years. It was always the object of the swells’ suspicion: a thing of the gypsies, the blacks, the poor whites; an outlaw object that became even more dangerous to the keepers of moral order when it fell into the hands of Chuck Berry and Elvis Presley. Brookes covers a wide swath: the dash of flamenco and the surf rock of Dick Dale, the handiwork of Ernest Tubb and Andrés Segovia, early blues, late blues, parlor music, Hawaiian steel, black slide, the British Invasion, the mainstreaming of the instrument and its domestication.
An intelligent work with the quality of a sonorous voice drifting from a radio. (NPR, in fact, will be airing six of his guitar segments to coincide with the book’s publication.)Pub Date: May 1, 2005
ISBN: 0-8021-1796-1
Page Count: 400
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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