by Tim Brookes ‧ RELEASE DATE: May 1, 2005
A sophisticated writer, like many before him, moves his family to Vermont and cranks out an elegy to the simple life. Not...
The British NPR essayist, living in the U.S. since 1973, moves to Vermont and evolves into a true old Down East philosopher.
The premise: an innocent writer buys a rustic plot. But don’t confuse this with the story about a naïve scribe who acquires country premises. Still, either way, page by page, the resolute author constructs a book of days from seven years of life at home in the land of homespun truth-seekers, the Green Mountain State. Present here is the requisite supporting cast of canny local service people, sharp merchants and loyal family. Early on, a scary hummingbird appears. And there are everyday matters like snow, of course, and ice, pollen, wasps, balky furniture, lawns as ecosystems and a dry well. Inventories of plants, rocks, rusting vehicles and floating clouds are fodder for down-to-earth musings in the boonies. Brookes (Guitara, p. 206, etc.), employing the solipsistic attention typical of the genre, wrestles manfully with nature, electrical wiring and a bit of bird’s-foot trefoil. The recurrent theme, however, is the driveway: the driveway down to the house, the driveway as historic artifact, the ecologic driveway, the taxonomy of driveways and the metaphysics of driveways. His driveway becomes a “kind of Advanced Vermont Living Test” that he’s bound to fail. Concluding the Sisyphean uphill battle with roadwork, Brookes gives over his penultimate chapter to words from the builder of his home that overlooks the verdant, self-regulating valley.
A sophisticated writer, like many before him, moves his family to Vermont and cranks out an elegy to the simple life. Not quite E.B. White among the chickens, but pleasant enough.Pub Date: May 1, 2005
ISBN: 1-885586-33-7
Page Count: 233
Publisher: Turtle Point
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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