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GUITAR

AN AMERICAN LIFE

An intelligent work with the quality of a sonorous voice drifting from a radio. (NPR, in fact, will be airing six of his...

With a storyteller’s—and a guitarist’s—sense of pitch and timing, NPR commentator/essayist Brookes (A Hell of a Place to Lose a Cow, 2000, etc.) delivers both a cultural history of the guitar and a chronicle of the intricate process that went into the construction of his own dream instrument.

It all started when airline baggage handlers destroyed Brookes’s guitar. His 50th birthday was approaching; his generous wife suggested a nice new one. Expanding on that idea, he decided to get a custom guitar “that would curl up on my lap like a cat,” built by one of the many fine-instrument makers in his home state of Vermont. The luthier he chose lived nearby, so Brookes was able to observe the process. He shares his observations with readers, who also benefit from his extensive knowledge of the guitar’s past. Interweaving these two stories, warm and droll by turns, Brookes gracefully blends the personal with the factual, never letting one get the upper hand. The guitar-making, a beautiful thing to witness, is still largely a mystery: It seems the physics of guitars is too complex for human understanding, thus the endless tinkering and innovation. The guitar’s history is equally fascinating and just as mysterious, at least in its early years. It was always the object of the swells’ suspicion: a thing of the gypsies, the blacks, the poor whites; an outlaw object that became even more dangerous to the keepers of moral order when it fell into the hands of Chuck Berry and Elvis Presley. Brookes covers a wide swath: the dash of flamenco and the surf rock of Dick Dale, the handiwork of Ernest Tubb and Andrés Segovia, early blues, late blues, parlor music, Hawaiian steel, black slide, the British Invasion, the mainstreaming of the instrument and its domestication.

An intelligent work with the quality of a sonorous voice drifting from a radio. (NPR, in fact, will be airing six of his guitar segments to coincide with the book’s publication.)

Pub Date: May 1, 2005

ISBN: 0-8021-1796-1

Page Count: 400

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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