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WHAT'S SO FUNNY?

MY HILARIOUS LIFE

Mildly amusing and affable to a fault, Conway’s tome joins the massive pile of inessential showbiz memoirs.

The celebrated funnyman on his frictionless life and times.

With the assistance of veteran co-author Scovell (Samuel Ramey, American Bass, 2010, etc.), Conway breezily recounts his career in show business, especially his 11 years on the Carol Burnett Show. The author is pleasant company, but the jokes are pitched to raise a wry grin rather than evoke belly laughs, the showbiz anecdotes are free from salaciousness and scandal, and the personal history yields neither engagement nor insight. The result is a relentlessly genial and inconsequential catalog of mild pranks, warm friendships and highlights of a comfortable career as a midlevel, familiar TV performer. To his credit, Conway realizes his status as a solid supporting player and is charmingly self-effacing about his lack of success as a leading man, but the lack of dramatic stakes eventually produces a soporific effect. The author heaps praise and affection on co-stars like Carol Burnett and Harvey Korman, but he declines to analyze the comedy or production of the immensely popular Carol Burnett Show, and the material reads more like a testimonial than a behind-the-scenes look at a comedy institution. There are chuckles to be had at Conway’s misadventures in the Army, on the golf course and at the racetrack, but the book’s richest material concerns his early upbringing in Ohio and his eccentric immigrant parents. The author paints affectionate portraits of his hapless Irish father and dynamic Romanian mother, a quirky yet loving couple and perhaps a more compelling subject for a memoir than the agreeable but toothless entertainment memoir on offer here.

Mildly amusing and affable to a fault, Conway’s tome joins the massive pile of inessential showbiz memoirs.

Pub Date: Oct. 29, 2013

ISBN: 978-1-4767-2650-2

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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