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THE QUEEN OF KATWE

A STORY OF LIFE, CHESS, AND ONE EXTRAORDINARY GIRL'S DREAM OF BECOMING A GRANDMASTER

A poignant reminder of the power of hope.

Sports journalist Crothers' (The Man Watching: A Biography of Anson Dorrance, the Unlikely Architect of the Greatest College Sports Dynasty Ever, 2006, etc.) moving account of an impoverished Ugandan girl's unlikely rise to prominence in the world of competitive chess.

Phiona Mutesi discovered chess by accident. Eager to find out where her brother Brian went when he "[snuck] away from his chores," 9-year-old Phiona followed him to a "dusty veranda" in Katwe, the slum where they lived. There, she encountered a group of children learning about chess through an outreach program designed to bring food, sports and religion to poor children. The program leader, Robert Katende, encouraged the shy Phiona to join and paired her with a 4-year-old girl to pick up the basics of the game. Soon, she was playing, and defeating, the most advanced boys in the group. Deciding that his players, whom he christened the Pioneers, needed a goal beyond simply mastering the game, Katende began entering them in local tournaments against other children from more privileged backgrounds. Though shunned for being dirty "street kids,” they still made a respectable showing. But it wasn't until 2007, when Phiona unexpectedly became Uganda's female under-20 chess champion, that Katende realized the extent of her gift. Under his tutelage, she went on to win the 2008 and 2009 junior championships and help a group of other talented Pioneers win an international tournament in 2010. Later that year, she was invited to play in another team event, the Chess Olympiad in Siberia. Although she lost, she gained the respect of older players, who declared that she was a grandmaster in the making. As Crothers points out, however, whether Phiona can live up to her potential will depend on whether she can outmaneuver an even more formidable opponent: the environment of Katwe, which "conspires against her on so many levels.”

A poignant reminder of the power of hope.

Pub Date: Nov. 6, 2012

ISBN: 978-1-4516-5781-4

Page Count: 288

Publisher: Scribner

Review Posted Online: July 29, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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