by Tim Grobaty ‧ RELEASE DATE: Feb. 23, 2016
A humorous love letter to a dying vocation.
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Grobaty’s (Growing Up in Long Beach, 2013, etc.) memoir chronicles a four-decade career as a Southern California newspaperman.
In 1976, the author, armed with only his brief experience on a community college newspaper, applied for employment with his hometown paper, the Long Beach Press-Telegram. Over the following decades, he worked his way up from copyboy to veteran journalist, holding a wide range of reporting and columnist positions. His book is a personal and professional memoir as well as a good-natured testament to the decline of print journalism: “We don’t buy ink by the barrel these days,” Grobaty writes, commenting on declining circulation. “We pick up a half-gallon on the way to work.” As a journeyman reporter, he observed the last days of highflying, hard-drinking, mid-20th-century newspaper culture. His establishment as a daily columnist coincided with the slow decline of the industry, and in middle age, he witnessed the capitulation of daily print media to the Internet. Eventually, Grobaty makes a sort of reluctant peace with the digital era, confident that his calling of columnist transcends the medium of print. At times, he ventures into the content of his columns—such as one on the relative danger of local fleabag highway motels—which meander away from the narrative arc; some chapters include reprints of entire columns. But for the author, there’s little separation between those columns and his life: “You write columns for a certain number of years and the daily snippets start to weave together as your sprawling memoirs.” For the reader, Grobaty’s quick, clever prose—honed over decades of deadlines—is a pleasure to follow wherever it leads. The loose biographical structure and distinct chapters allow readers to enjoy the volume straight through or as an anthology that one may pick up at different points. Overall, this book will make a pleasant Sunday read for anyone looking to return to the pre-blog joys of opening a freshly delivered morning paper, pouring a cup of coffee, and reading the musings of a favorite local columnist.
A humorous love letter to a dying vocation.Pub Date: Feb. 23, 2016
ISBN: 978-1-941932-06-3
Page Count: 238
Publisher: Brown Paper Press
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: April 1, 2016
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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