A well-researched and spirited slice of history.



An in-depth look at the events that led to the connected stories of the United States flag, the national anthem, and an important military victory.

The United States was a vulnerable young nation when the War of 1812 plunged it into conflict with Great Britain. The British navy targeted the Chesapeake Bay and the city of Baltimore for attack, both for its proximity to Washington and the shipbuilding that occurred there. Grove provides comprehensive background about both nations’ underlying military strategy. The actual story about the commission of the flag that flew over Fort McHenry is explored in great detail, as is the confluence of events that found Maryland-born attorney Francis Scott Key on a ship during battle, the aftermath of which inspired him to write the words that became the national anthem. Grove provides a page-turning narrative that enhances the familiar aspects of this story and fills in those little-known areas. He paints a full picture of Key’s attitudes toward slavery as well as of Mary Pickersgill and how she came to take on the task of making a somewhat unusual flag. In addition to details about shipbuilding and military planning, he weaves in the role of enslaved fighters who ran away to the British, who promised freedom, forming the Colonial Marines. Generous archival illustrations and the rich and varied backmatter make this a boon for fledgling historians.

A well-researched and spirited slice of history. (Nonfiction. 10-13)

Pub Date: May 26, 2020

ISBN: 978-1-4197-4102-9

Page Count: 176

Publisher: Abrams

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...



A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)

Pub Date: March 1, 2001

ISBN: 0-7613-1553-5

Page Count: 80

Publisher: Twenty-First Century/Millbrook

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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