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CHASING SHACKLETON

RE-CREATING THE WORLD'S GREATEST JOURNEY OF SURVIVAL

A well-written, compelling read begging for a warm fireside and a hot cup of cocoa.

Polar explorer Jarvis (Mawson: Life and Death in Antarctica, 2008, etc.) takes on the re-creation of one of the most difficult treks imaginable.

Trying to “double” Ernest Shackleton’s (1874–1922) desperate trip 800 nautical miles across the Southern Ocean in a 23-foot boat followed by a 35 kilometer trek across South Georgia’s heavily glaciated mountains requires a tight team with a strong leader. Shackleton had no choice as he altered his planned adventure of crossing Antarctica on foot from the Weddell Sea coast to the Ross Sea. After his ship, the Endurance, was trapped in the ice for more than a year, Shackleton set off in a reconfigured lifeboat with five men in search of rescue. It was the greatest survival journey of all time. After he was “asked by Shackleton’s granddaughter to undertake this journey and was inspired to want to do it as the greatest survival story of the heroic era of exploration,” the author’s attempt to repeat this desperate journey began with finding sponsors, which took three years. The author was lucky in finding TV sponsors, although the trek was limited by filming requirements. They also had to travel three months before the period Shackleton’s crew did due to permit requirements. The story of their journey is bone-chilling at the least and breathtakingly frightening. There are certain elements that will confuse nonsailors and nonclimbers, particularly terms never explained—e.g., katabatic winds, nunatak and bergschrund. The author’s description of icy seas soaking the crew as they tried to sleep like sardines in the hold is not reading for the claustrophobic. Surely it was difficult enough to attempt this voyage, but as they accomplished it without modern (waterproof) clothing or navigational aids, it was a most remarkable feat.

A well-written, compelling read begging for a warm fireside and a hot cup of cocoa.

Pub Date: Jan. 7, 2014

ISBN: 978-0-06-228273-6

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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