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DISTANT SONS

A slow-burn novel that quietly elevates the fragile codes of honorable men.

Forty years after three boys went missing in a small Wisconsin town, a nomadic carpenter becomes the unwitting catalyst for discoveries old and new.

Sean Courtland’s truck breaks down on the outskirts of town, so he decides to stay a while and accept a building job to make up for cash spent on repairs. His quiet presence in the community stirs up violence when he intercedes in a domestic dispute and accidentally ends up hitting Denise Givens, the woman he’s seeking to protect. This incident brings him to the notice of local detective Corrine Viegas and, somewhat surprisingly, also brings him closer to Denise and her father. As this gentle courtship unfolds, Sean is also getting to know Dan Young, another down-on-his-luck outsider who happens to have plumbing skills, and he hires him to help him finish the building job at Marion Devereaux’s house up on the bluff. There are still whispered rumors that Devereaux might have been involved in the disappearances of three boys in the 1970s, or maybe it was Devereaux’s war-haunted uncle. There’s no denying that there's something strange about the house and its basement, but Sean’s not one for gossip and he just wants to finish the job. All these characters are heading to a reckoning of sorts, but the novel is such a slow-burn that the mysteries at hand, dramatic as they are, are rendered secondary to the people living through them. Johnston writes with such care, understanding, even love for the flawed humans in his story that it’s almost too much. Readers may wish to look away from the damage these characters inevitably do to themselves and each other, but if we persist, we will bear witness to their moments of pain and tragedy. The reward: We are treated to occasions of such care that it’s almost redemptive.

A slow-burn novel that quietly elevates the fragile codes of honorable men.

Pub Date: Oct. 17, 2023

ISBN: 9781643753591

Page Count: 400

Publisher: Algonquin

Review Posted Online: Aug. 10, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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REAL AMERICANS

Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.

A sweeping exploration of choice, chance, class, race, and genetic engineering in three generations of a Chinese American family.

Khong’s follow-up to her sweet, slim debut—Goodbye, Vitamin (2017)—is again about parents and children but on a more ambitious scale, portraying three generations in what feel like three linked novellas, or somehow also like three connected gardens. The first begins in 1999 New York City, where Lily Chen stands next to a man at an office party who wins a big-screen TV in the raffle. He insists she take it; he is Matthew Maier, heir to a pharmaceutical fortune, and has all the TVs he needs. On their first date, they go to Paris after dinner, and as this section ends, they’ve had their first child. The second part of the book moves to 2021 on an island off the coast of Washington state. It’s narrated by Lily’s now-15-year-old son, Nick; his father is nowhere in sight, at least for now. The closing section unfolds in 2030 in the San Francisco Bay Area. It’s told by Lily’s now elderly mother, May, with an extended flashback to her youth in China during the Cultural Revolution and her first years in the U.S. As a budding scientist, May was fascinated by genetics. Of the lotus flowers she studied at university, she observes, “Raindrop-shaped buds held petals that crept closer, each day, to unfurling. As humans we were made of the same stuff, but their nucleotides were coded such that they grew round, green leaves instead of our human organs, our beating hearts.” This concern for how and why we turn out the way we do animates the book on every level, and along with science, social constructs like race and class play major roles. Every character is dear, and every one of them makes big mistakes, causing a ripple effect of anger and estrangement that we watch with dismay, and hope.

Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.

Pub Date: April 30, 2024

ISBN: 9780593537251

Page Count: 416

Publisher: Knopf

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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