In his first novel about the persuasive powers of film, Lucas (editor-in-chief of Video Watchdog) puts poetic bite into seemingly banal material about one man's sexual fetish: the exposed female throat. Lucas ponders rather heavily at one point on the way the throat connects base animal instincts with the loftier reaches of the mind—serious stuff considering that his first-person narrator is a staid advertising executive first seen taking his lunch break at the old Eros theater in Friendship, Ohio. Here, the cinematic offerings are such fare as ``Sperms of Endearment'' and ``Dirtysomething.'' The author dismisses these low-budget movies as ``Mad magazine for brain-dead grownups.'' Then, flickering across the screen, comes the obscure ``Throat Sprockets,'' isolating women's necks as erogenous zones, showing tiny holes ``leaking thin, gleaming rivulets of blood'' as advertised in the poster. Yet the participants never shed their clothes. The arty voyeur is hooked on subtlety. In short order, he tries a neck embrace on his academic wife, Paige, who eventually divorces him for his audacity. ``You didn't go after my boobs once tonight—you imposter!'' she accuses him. Our boy then begins his lonely quest for a willing new partner who shares his obsession. He encounters Emma, who makes ceramics shaped like necks and becomes a kind of alter ego: ``A stranger cuts through your life as a kindred shadow,'' muses Lucas about the new relationship. But this novel is about romantic virtual reality and the impact of films on the inner life. Lucas's characters are in the service of an aesthetic conceit that veers between Dracula and Fellini-like visions of wretched excess. It's not long before Emma is not only allowing Lucas to sip her neck's blood but is offering him her pulsating heart as well. Wittily perverse, with often mesmerizing language, this is a virtuoso performance that is, well, draining.
Pub Date: Nov. 1, 1994
ISBN: 0-385-31290-3
Page Count: 320
Publisher: Delta
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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