A moving family tale with a strong cast that readers will love.
An indomitable man guides his Jewish family through the horrors of World War II in Eastern Europe in this debut novel.
Readers meet Elazar Gershovich in 1922. But the backstory is that, in 1903, the Gershoviches were living a comfortable life in Kishinev, Moldova, when the Christians attacked the Jews in a pogrom. Little Elazar was thrown from a window, his brother Hershel had his leg broken, their mother was gang-raped, and two siblings were murdered. The family fled north to Kalarash, Moldova, and started over. Now, Elazar is an accomplished violinist in his musical family (Papa loves the accordion, Mama prefers the clarinet, and Hershel plays percussion). Yet the protagonist longs to test his wings. But first, what he really wants is a girlfriend. He becomes smitten with Ita Kaplan, a winsome young artist from a wealthy family. Unfortunately, she plans to join her three sisters in Paris, and France is too daunting for Elazar. Then there is Mariam Gabashvili, but, since she’s not Jewish, Papa forbids the match. Soon, plans change for Ita (because of the political landscape), and so she marries Elazar and they have two children, Rivka and Ira. When the war comes, Elazar and his family and Hershel and his wife—their two sons are conscripted by the Russians—flee east ahead of the German bombardment. After a monumental trek—on foot, by train, and by boat—they end up in Uzbekistan for the duration of the war. Lice are a constant scourge, and these pests are probably responsible for a family member contracting typhus. At war’s end, Elazar and his clan make their way back to Moldova and the bombed-out ruins. But will the treasure that Elazar buried in the backyard in Kalarash and the violin he hid in the cellar still be there? Will there be music as these irrepressible survivors try to rebuild their lives?
Turner and Gorbaty’s engaging debut novel is promising and timely, considering what is going on in the main protagonist’s part of the world. Elazar, the narrator, carries the story and will win readers over right from the start. There is subtle humor in his desperate search for his dream girl, equal parts idealism and lust. And Ita is a surprise. Readers will expect that coming from an affluent family, she would not be able to handle adversity. But when the world comes crashing down, she is by no means a quitter. She is in fact a resourceful mother and loving wife through thick and thin (mostly thin). And Elazar is forever the optimist because positivity costs nothing, and pessimism is pointless, at least in his eyes. A scene involving the family member fighting typhus is beautiful and poignant (Dickens would approve). Of course, in war everyone suffers, and one would hope that the misery would bring common understanding and forbearance. But not in Moldova. In the Kalarash shtetl, a simple code evolves. In a precarious universe, you live every day as if it’s your last, so “one: have some fun, two: try to do some good, and three: don’t screw anyone over too badly.” Surely, there are more exalted codes of conduct, but these people are not given to moral preening.
A moving family tale with a strong cast that readers will love.Pub Date: Nov. 9, 2023
ISBN: 9798218267544
Page Count: 242
Publisher: Bessarabian Publishers
Review Posted Online: Dec. 19, 2023
Kirkus Reviews Issue: Feb. 15, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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