A compellingly trippy journey.
In Weed’s novel, a woman follows in the footsteps of her father, a famed psychedelic researcher who mysteriously disappeared.
Thirty-something Esme Weatherhead talks to the “ghost” (memory) of her father, Gregory, who’s finally been declared dead after disappearing decades earlier. It’s 2024, and it’s been over half a year since she left behind her seemingly picture-perfect life in San Francisco to write a celebration of her father at his former cabin in Woodgate, Vermont. Gregory was an academic researcher and bestselling author on Indigenous shamanic practices who went missing in 2004 after leaving for a walk in the forest. After discovering notes her father left about a cave in the same forest in which he was last seen, Esme hires Lucas St. Pierre, a struggling geological consultant, to locate it (“maybe walking a mile or two in his shoes was the best way to find out what had happened to him”). Esme decides to “reconstruct [Gregory’s] research methodology” by experimenting with powerful psychedelic mushrooms—the same her father used—which trigger vivid hallucinations of him. The lines of reality start to blur, and the stakes increase when a longtime family friend, Sebastian Bonney (a former British television personality who now owns a surveillance tech firm), sets his sights on Esme’s new discovery of the deeper powers of these mushrooms. The narrative shifts between timelines and the perspectives of Esme, Gregory, Lucas, and Sebastian; this approach complements the psychedelically charged prose. A hallucinatory thriller is a fascinating concept, and the plot is a treat. Witty prose sits alongside stretches of juvenile profanity, along with occasional overstuffed sentences: “It was nearly tasteless and quite rubbery, like a very bland calamari, but he chewed and swallowed it anyway, and cut the flesh of the remaining sponges into ragged strips, leaving them on a sun-heated boulder to dry.” Still, the adventure overcomes such minor issues.
A compellingly trippy journey.Pub Date: May 26, 2026
ISBN: 9798347021000
Page Count: 264
Publisher: Podium Publishing
Review Posted Online: Feb. 12, 2026
Review Program: Kirkus Indie
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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