A profoundly moving read that will stay with thriller aficionados long after they finish the novel.
Ashby’s latest is a page-turning supernatural thriller that explores humankind’s oldest question: “Is there life after death?”
Afflicted with terminal cancer, billionaire Mark Long has been told he has mere months to live. Fixated on what comes after (if anything), he anonymously offers a $5 billion prize to anyone who can prove to Long’s satisfaction that there is some kind of life after death. Requiring applicants to first deposit a $25,000 bond in a trust account, the contest is quickly whittled down to three finalists. Professor Megan Finlay, chair of the Holmes Parapsychology Institute at the University of Edinburgh, is close to a breakthrough. She specializes in near-death experiences—what she calls “transcendence of spatio-temporal boundaries”—and winning Long’s multibillion-dollar prize is a necessity. The funding for the financially troubled institute ends in a matter of months. If the institute closes, Finlay’s entire life’s work will be all but forgotten. Another finalist is Aidan McKnight, former Navy SEAL and head of Acheron Capital Partners, who is addicted to challenges. When he hears about Long’s contest, his assistants find Hundra Benteen, a Montana-based “sensitive” (don’t call her a medium) who—in an industry filled with scammers, frauds, and charlatans—just may be the real thing. When McKnight meets Benteen, she turns his world upside down by knowing intimate information about his father, a SEAL who disappeared and was believed to have been killed during a botched 1983 mission in Grenada. Can Benteen communicate with the spirit of McKnight’s father and pass along any critical information? The last finalist, the Swiss National Institute for Paranormal Studies, doesn’t exist and is a front for Maxim Azimov, the world’s most notorious cybercriminal and mastermind of AI Deepfake technology. As Long’s battle with cancer draws to its inevitable end, Azimov plots to permanently eliminate each of his competitors.
Many narrative elements are worthy of note here. The character dynamism is exceptional. Even secondary characters, like Finlay’s assistant, Dougal Brown, are meticulously portrayed, three-dimensional, and emotionally compelling. The multiple storylines—which largely follow the three competitors and their respective quests—are continually intertwining, which keeps the momentum brisk. Additionally, bombshell plot twists will rivet readers until the very last page. The supernatural element gives the novel its fitting dark atmospherics: “It sprang, a crushing weight that crumpled the chair under him, driving the remaining breath from his lungs. As he looked into the fiery eyes and the glinting canine fangs, he knew it was the end. He tried to recite a prayer but volition had been sucked out of him. Strangely, as he plunged into unconsciousness, it seemed as if the creature was somehow melding with him, body to body, soul to soul.” But it’s the deep, esoteric examination of life after death from multiple perspectives—reincarnation, karmic retribution, tormented spirits seeking peace, reconnecting with loved ones who have passed, etc.—that make this such a memorable thriller.
A profoundly moving read that will stay with thriller aficionados long after they finish the novel.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 3, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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