The ideal audience for this shaggy trip down Memory Lane: die-hard fans who wish rock could go on forever.
Junior Bender, who “steal[s] from the rich and sell[s] to the richer,” falls into a rabbit hole full of aging rock-and-roll bands.
Irwin Dressler is unhappy. Rock of Ages, the ancient foursome to whom he loaned $250,000 to finance a nostalgia tour, hasn’t returned a penny, and there are rumors that they’ve lost a more substantial amount of money than he ever would’ve expected them to take in. Most creditors would have to suffer this mistreatment in silence, but since Dressler’s still the preeminent gang leader in Los Angeles despite his constant fears that he’ll lose face and everything else, he gets Junior to look into the matter for him. That’s why Junior’s on hand when drummer Boomboom Black ends his performance at Wilshire’s Lafayette Theater with the band Rat Bite by getting into a fight with the lead guitarist, who conks him with his instrument, and then getting a much more consequential conk from a falling stage flat that ends both his set and his life. It’s kind of awkward for Junior, who’s not only there on what he assumes is unrelated business, but is accompanied by Rina, his teenage daughter, whose mother has entrusted her to her ex while she’s out of town. The best parts of this blast from the past involve the relations among Rina, Junior as the world’s worst babysitter, and Lavender, an aging groupie to whom Rina takes a shine. Other characters from the Razorettes, Lionel and the Pussycats, and Rock of Ages dissolve under a haze of bright lights that overshadow the forgettable mystery and cast readers as semistoned groupies themselves.
The ideal audience for this shaggy trip down Memory Lane: die-hard fans who wish rock could go on forever.Pub Date: June 7, 2022
ISBN: 978-1-64129-218-4
Page Count: 336
Publisher: Soho Crime
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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