A lackluster, unfocused adaptation.
In this retelling of “The Wolf and the Seven Young Goats,” a hungry predator gets his comeuppance.
A mother goat leaves her children home alone just as the wolf is passing by. He attempts to gain entrance, first pretending to be a mailman, then telling them he’s selling ice cream. Each time, the young goats refuse to let him in. But maybe they’ll open up for a “talking rosebush with a flowerpot on my head.” Once the kids finally welcome him in, the wolf is sure he’ll obtain a full meal. But as it turns out, he’s not the only one with ulterior motives. This updated version fails to capture the spirit of the more elegantly constructed original, which saw both the wolf and the goats attempting to outwit each other, nor is it funny or clever enough to stand on its own. The storyline veers from one absurd notion to another without any sense of intention; it’s unclear why the wolf decides to dress up as a rosebush, for instance. Relying mostly on shock value, the conclusion doesn’t make much sense; it’s a subversive take on the original, but that will likely go over the heads of young readers unfamiliar with the source material. The scraggly, flat illustrations feel a bit sloppy but might elicit some giggles.
A lackluster, unfocused adaptation. (Picture book. 3-7)Pub Date: Jan. 21, 2025
ISBN: 9781536240696
Page Count: 40
Publisher: Candlewick
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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