Ansa's second Lena McPherson novel (after Baby of the Family, 1989) is short on plot and long on rhapsodic descriptions of the worshipped Lena. When the Big Flood of '94 hits Mulberry, Georgia, none of Mulberry's residents are surprised when Lena McPherson escapes disaster-free. Of course, no one resents her either; the 45-year- old Lena is beautiful, rich, intelligent, outfitted in couture clothing, and good down to the very bottom of her soul. Her business prowess is legendary, her philanthropy an accepted fact, and her bar/restaurant, The Place, which she inherited from her parents, is the hottest spot around. So the town idolizes her, children and adults alike—but no one can really understand why Lena doesn't ``have a man of her own.'' What they don't know (although they do know that Lena has been marked since birth as ``special'' because she was born with ``a veil''—a piece of fetal membrane—over her face) is that Lena is in love, with a recently appeared spirit named Herman that only she can see or feel. In fact, she's happier than ever. Herman is the man she's been dreaming of: He cooks dinner, waits for her to get home from work, takes evening swims with her. He even encourages her to do more with her blessings—as in the home she opens for needy children and adolescents. Of course, the Herman situation eventually comes to a head—it's hard to live in the real world with a spirit for a lover—but Lena ends up the richer for her yearlong affair, in more ways than one. Ansa writes energetically, colorfully, even evocatively at times (after closing, she can ``almost touch their backs [The Place's regulars] like taps for the draft beer'' as she passes their stools,) but boy-meets-girl is the extent of the story here, and in the end it's just not enough. (First printing of 100,000; author tour)
Pub Date: Oct. 1, 1996
ISBN: 0-385-47599-3
Page Count: 464
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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