THE HAND I FAN WITH

Ansa's second Lena McPherson novel (after Baby of the Family, 1989) is short on plot and long on rhapsodic descriptions of the worshipped Lena. When the Big Flood of '94 hits Mulberry, Georgia, none of Mulberry's residents are surprised when Lena McPherson escapes disaster-free. Of course, no one resents her either; the 45-year- old Lena is beautiful, rich, intelligent, outfitted in couture clothing, and good down to the very bottom of her soul. Her business prowess is legendary, her philanthropy an accepted fact, and her bar/restaurant, The Place, which she inherited from her parents, is the hottest spot around. So the town idolizes her, children and adults alike—but no one can really understand why Lena doesn't ``have a man of her own.'' What they don't know (although they do know that Lena has been marked since birth as ``special'' because she was born with ``a veil''—a piece of fetal membrane—over her face) is that Lena is in love, with a recently appeared spirit named Herman that only she can see or feel. In fact, she's happier than ever. Herman is the man she's been dreaming of: He cooks dinner, waits for her to get home from work, takes evening swims with her. He even encourages her to do more with her blessings—as in the home she opens for needy children and adolescents. Of course, the Herman situation eventually comes to a head—it's hard to live in the real world with a spirit for a lover—but Lena ends up the richer for her yearlong affair, in more ways than one. Ansa writes energetically, colorfully, even evocatively at times (after closing, she can ``almost touch their backs [The Place's regulars] like taps for the draft beer'' as she passes their stools,) but boy-meets-girl is the extent of the story here, and in the end it's just not enough. (First printing of 100,000; author tour)

Pub Date: Oct. 1, 1996

ISBN: 0-385-47599-3

Page Count: 464

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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