A story of Miami’s Cuban American community uses tropes of telenovelas to frame a rich portrait.
Is a woman’s shocking confession true, or just a fantasy from her favorite telenovela?
Mónica Campo is about to become a mom for the first time when, suddenly, it looks as if she might lose her own beloved, flamboyant mother, Mirta. The night before Mirta is scheduled for surgery for an aneurysm, mother and daughter watch a telenovela episode about a woman who bears her lover’s baby and never tells him. The next day Mirta, already sedated and afraid she might not wake up, says, “Mónica, your father is Juan.” But Monica’s father, or so she’s always thought, is Rolando Campo, an optician and solid family man, and she’s never heard of Juan. Mirta survives the surgery but her mental state is unsteady, and Mónica can’t be sure whether her confession is true or a sign her mom is losing her grip on reality. And Mónica has her own set of problems. She broke up with her longtime boyfriend, Manny, because he kept signing up for another hitch in the Army instead of making a home with her. Then she stumbled into a relationship with Robert, who’s steady and sweet and delighted she’s having his baby—but she’s not in love with him. Now, with Mirta’s illness, Manny is back. Mónica has never quite felt she knows where she belongs anyway, growing up in Miami as the daughter of Marielitos, the Cuban refugees who came to the U.S. en masse in the 1980s. Her parents have embraced their new home but feel the emotional pull of the one they left behind. As Mónica delves into the buried secrets her mother’s revelation brings to light, she learns much more than she ever imagined about her parents’ history and herself. This debut novel addresses serious family matters but bursts with humor as well, thanks to Mónica’s tart voice and her funny, fractious family.
A story of Miami’s Cuban American community uses tropes of telenovelas to frame a rich portrait.Pub Date: July 9, 2024
ISBN: 9781982157319
Page Count: 384
Publisher: Marysue Rucci Books
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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