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JESSE JAMES

LAST REBEL OF THE CIVIL WAR

A thoroughly impressive, eminently readable work of revisionist history.

In this excellent biography of the famed bandit, journalist/historian Stiles reveals his subject as less a Robin Hood than an Osama bin Laden for his time.

The son of a luckless itinerant preacher who died broke in the gold fields of California, James (1847–82) came of age among hardscrabble Missourians who shared “a willingness to resort to violence . . . to resolve private disputes or keep public order.” When the border war flared up between slaveholders and pro-Union sympathizers along the Missouri River, James became a murderous member of one of the small guerrilla cells “that fought without central direction or official Confederate sanction” and were not shy about killing their supposed secessionist allies when it suited them, to say nothing of dismembering enemy corpses for pleasure. Though liberal in his range of targets, he was not apolitical, and long after war’s end, he took pains to terrorize Unionists and other enemies of the Confederacy; Stiles suggests that he even chose to stage his fateful raid on the First National Bank of Northfield, Minnesota, because the abolitionist hero Adelbert Ames owned a controlling interest in it. James had a powerful ally and publicist in newspaper editor John Newman, an unapologetic champion of the Lost Cause who glamorized him as a friend and protector of the common man in the face of greedy carpetbaggers. On the contrary, Stiles insists, Jesse James was a terrorist. The author matches a real flair for the biographer’s art with an appreciation for the historical complexities of the time, especially for the ironies of the post-Reconstruction era, when much of the nation repudiated the radical goals of abolitionism, “sandpapered away by the economic depression and Democratic intransigence,” and white supremacy was restored, making the world safe for the likes of Jesse James and his carefully constructed myth.

A thoroughly impressive, eminently readable work of revisionist history.

Pub Date: Sept. 22, 2002

ISBN: 0-375-40583-6

Page Count: 512

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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