A love story that’s anything but robotic.

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ROBOT IN LOVE

McBeth’s author/illustrator debut is an unlikely love story.

Robot’s routine day—unplug, eat a slice of bread, leave when its wristwatch beeps—is interrupted when it sees her on Electric Avenue (yes, really). While readers aren’t privy to her identity until the end, they do get clues: She’s shiny, their connection is “electric,” and their meeting spot seems to be a store window. Meanwhile, bowtie-and–business-suit–clad Robot’s life is changed forever. It has hearts for pupils, it doesn’t watch where it’s going, it sniffs flowers and jumps in puddles (not recommended for robots), its “hydraulic limbs felt weak.” It spends an evening making her some flowers out of old metal parts, but she’s gone from their meeting place. Its robotic systems fail to detect her anywhere (though readers will laugh at the language used to describe this: “scanning…negative”). But then it gets an idea and runs back to the store, this time going inside, where it finds its own true love. Sure, she doesn’t say a word and people give them strange looks, but Robot doesn’t seem to care. “We have so much in common. We’re both shy. We’re both shiny. // We both love toast.” The black, white, gray, pink, and red artwork is angular and stylized, suiting the high-tech subject matter, and McBeth has found a way to give a metal robot a heart and feelings through body language and facial expressions.

A love story that’s anything but robotic. (Picture book. 4-8)

Pub Date: Dec. 24, 2018

ISBN: 978-1-250-18593-8

Page Count: 40

Publisher: Godwin Books/Henry Holt

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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A must-have book about the power of one’s voice and the friendships that emerge when you are yourself.

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THE DAY YOU BEGIN

School-age children encounter and overcome feelings of difference from their peers in the latest picture book from Woodson.

This nonlinear story centers on Angelina, with big curly hair and brown skin, as she begins the school year with a class share-out of summer travels. Text and illustrations effectively work together to convey her feelings of otherness as she reflects on her own summer spent at home: “What good is this / when others were flying,” she ponders while leaning out her city window forlornly watching birds fly past to seemingly faraway places. López’s incorporation of a ruler for a door, table, and tree into the illustrations creatively extends the metaphor of measuring up to others. Three other children—Rigoberto, a recent immigrant from Venezuela; a presumably Korean girl with her “too strange” lunch of kimchi, meat, and rice; and a lonely white boy in what seems to be a suburb—experience more-direct teasing for their outsider status. A bright jewel-toned palette and clever details, including a literal reflection of a better future, reveal hope and pride in spite of the taunting. This reassuring, lyrical book feels like a big hug from a wise aunt as she imparts the wisdom of the world in order to calm trepidatious young children: One of these things is not like the other, and that is actually what makes all the difference.

A must-have book about the power of one’s voice and the friendships that emerge when you are yourself. (Picture book. 4-8)

Pub Date: Aug. 28, 2018

ISBN: 978-0-399-24653-1

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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