The final volume in this trilogy based on Greek mythology (Corydon & the Fall of Atlantis, 2007, etc.) successfully wraps up its threads, but weaves them together so slowly that readers may lose interest. Beginning with young Corydon, a normal boy but for his one goat leg, in a kind of self-imposed exile, the story is quick enough in building a premise for him to disband the gang of misfits he’s leading. Once he finds his way to the embattled city of Troy, however, and again takes up with his monster friends, the pace slows down considerably. As in the earlier offerings, the reworking of a classic myth and the role-reversal of heroes and villains is clever. The characterization of Akhilleus is particularly nuanced here. Unfortunately, dense descriptions of the setting and of Corydon’s internal musings drag on as he eventually comes to the decision that he must challenge the tyranny of the Olympians once and for all. Established fans of the first two will likely find the conclusion fittingly heroic, but may tire of this mythological fantasy’s meandering focus. (Fantasy. 12 & up)
Pub Date: March 10, 2009
ISBN: 978-0-375-83384-7
Page Count: 272
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
BOOK REVIEW
BOOK REVIEW
A bone-chilling tale not to be ignored by the universe.
If Anne Frank had been a boy, this is the story her male counterpart might have told. At least, the very beginning of this historical novel reads as such.
It is 1939, and Yanek Gruener is a 10-year old Jew in Kraków when the Nazis invade Poland. His family is forced to live with multiple other families in a tiny apartment as his beloved neighborhood of Podgórze changes from haven to ghetto in a matter of weeks. Readers will be quickly drawn into this first-person account of dwindling freedoms, daily humiliations and heart-wrenching separations from loved ones. Yet as the story darkens, it begs the age-old question of when and how to introduce children to the extremes of human brutality. Based on the true story of the life of Jack Gruener, who remarkably survived not just one, but 10 different concentration camps, this is an extraordinary, memorable and hopeful saga told in unflinching prose. While Gratz’s words and early images are geared for young people, and are less gory than some accounts, Yanek’s later experiences bear a closer resemblance to Elie Wiesel’s Night than more middle-grade offerings, such as Lois Lowry’s Number the Stars. It may well support classroom work with adult review first.
A bone-chilling tale not to be ignored by the universe. (Historical fiction. 12 & up)Pub Date: March 1, 2013
ISBN: 978-0-545-45901-3
Page Count: 272
Publisher: Scholastic
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
