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ONLY WAY OUT

Internecine noir, done just right.

A scuffling Seattle lawyer’s scheme to abscond with his firm’s safe deposit boxes has deadly consequences.

It’s 15 years ago. Half a million in debt, Robert Green uses his access as manager of the safe deposit boxes to remove them and pile them into his van, with plans of extorting clients with the unaccounted-for cash and sensitive documents in the boxes. His plan is to escape to South America with his sister, Penny, a SoCal desert-dweller whose genius IQ made her a child celebrity before she spent 14 years in prison for robbery and assaulting a cop. But his van spins off a mountain road, killing and decapitating him. His body, along with the ill-gotten loot—and his head—are discovered by Jack Biddle, the morally compromised, drug-using top cop of Granite Shores, a shabby Oregon beach town. While taking credit for cracking the safe-deposit case, he takes possession of the loot (he owes nefarious sorts a ton of money), claiming that Green disappeared with it. He thus leaves the town thinking for years that the daring thief, a hometown boy, is still alive. Flash forward to the present, when the now-legendary, media-friendly case has turned Granite Shores into a slickly gentrified destination spot—one where Penny’s nervy cousin Addie, a podcast queen, spins conspiracy theories about the local cops. “Every new dumb thing I say creates a financial ecosystem,” she says. The novel is a nice geographical shift for Goldberg—known for capturing the seedy essence of Las Vegas and the Salton Sea in Gangsterland (2014) and The Low Desert (2021), respectively—who does an uncanny job of keeping multiple plot elements in the air, shifting among unholy alliances of mobsters and do-gooders turned bad with cutting humor. Warped family histories, the trivializing effects of social media, and an occasional jab of emotion are all in the mix. “To not have hope was acutely freeing,” thinks Penny, whose words linger more than they should.

Internecine noir, done just right.

Pub Date: Nov. 4, 2025

ISBN: 9781662534089

Page Count: 362

Publisher: Thomas & Mercer

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SALTWATER

A feisty storm of Greek tragedy headlined by three very modern women.

On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.

When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.

A feisty storm of Greek tragedy headlined by three very modern women.

Pub Date: March 25, 2025

ISBN: 9780593875551

Page Count: 336

Publisher: Ballantine

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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