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THE LOW DESERT

GANGSTER STORIES

A thoroughly enjoyable collection by a bona fide original.

Hapless mobsters, corrupt cops, and other fated losers play out the string in interconnected stories by the author of Gangsterland (2014).

The Low Desert is a term used to describe California deserts below 2,000 feet in altitude. The people in these tales, set mostly in and around Palm Springs, include a former black ops "goon" who finds joy and possible romance in burning down a mini-mall; a cocktail waitress at an Indian casino searching for her adopted 18-year-old Russian daughter, whose fate is revealed in another story; and a hydrology instructor at Cal State Fullerton who becomes a marijuana dealer after inventing an advanced sprinkler system he hopes to sell to a Mexican cartel. Several characters have ties to Chicago's Cupertine crime family, including Sal Cupertine, the legendary hit man reborn as Las Vegas rabbi David Cohen in Gangsterland, and prolific young killer Dark Billy Cupertine (five hits before the age of 17), who has trouble "work[ing] out the geometry" of getting his hands around a victim's exceptionally fat throat. These are stories Elmore Leonard would love—not just because the razor-sharp Goldberg wastes no words in cutting to the heart of his stories, but also because he highlights the humanity and inner lives of even his most bent characters. "There's nothing that says this life has to be lived waiting for the next shame," waxes one character. In a universe where someone referring to severed body parts can say, "In my experience, hands are pretty durable," that's saying something.

A thoroughly enjoyable collection by a bona fide original.

Pub Date: Feb. 2, 2021

ISBN: 978-1-64009-336-2

Page Count: 304

Publisher: Counterpoint

Review Posted Online: Dec. 14, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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WANT TO KNOW A SECRET?

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Character assassination reigns supreme, if not uncontested, in a Long Island suburb.

April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Pub Date: March 3, 2026

ISBN: 9781464249600

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: Dec. 6, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

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  • New York Times Bestseller

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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