by Todd R. Baker ‧ RELEASE DATE: N/A
Adroit in its storytelling, this book offers two finely drawn lives and a continuing mystery as to how they will overlap.
A debut novel focuses on one man and the many possibilities in life.
Luke Morrow is a lovable loser. An advertising account executive who bet everything on an Internet startup––only to lose his marriage, reputation, and career in the process––he ekes out an existence in Southern California. His main joy in life comes from moments with his son, Trevor, a boy who loves nothing more than a day at the Manhattan Beach Dunes. As income concerns force Luke to downgrade his apartment (which requires him to euthanize his tropical fish, following the advice that it is best “to throw them hard onto the sidewalk, killing them instantly”) and pursue work far below his accustomed pay scale, will he ever rebuild his life? Just as he is at his lowest, the reader is introduced, thanks to a supernatural occurrence, to a very different Luke. What if instead of lovable, he was ruthless? An alternative Luke still possesses a history that encompasses a divorce and a son named Trevor, though differing circumstances allow the protagonist to gorge himself at the buffet of the superrich. From private jets to call girls to a nanny whose breast implants he pays for, this Luke is certainly successful, though hardly even likable. So will the real Luke Morrow please stand up? The author adeptly paints very detailed profiles of both Lukes, and readers should feel very much in the moment, whether the nice Luke is offering his old weight lifting gloves to a homeless veteran or the crass one is waiting impatiently to receive his new yacht. Though moments of the wealthy Luke’s life can become repetitive, such as a trip to Hawaii that carries the reader along for a catamaran ride and snorkeling with “red dragon wrasses and purple-tipped tangs,” the curious will wonder how it all ends. Surely somewhere between these contrasting Lukes, there lies an important lesson. Tightly written and as believable (in terms of characterization) as it is ostentatious (in terms of overall construct), the novel should cause many readers to fervently seek what that lesson might be.
Adroit in its storytelling, this book offers two finely drawn lives and a continuing mystery as to how they will overlap.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Aqueous Books
Review Posted Online: Feb. 26, 2016
Review Program: Kirkus Indie
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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