An engaging set of stories of broken lives, jagged in structure but smooth in the telling.
A variety of lives hit the skids in dramatic and usually self-inflicted ways in this linked story collection.
Though billed as a novel, Petersen’s debut more closely resembles a disjointed Pulp Fiction–style narrative, hopscotching west of the Mississippi with a motley set of characters. In the opening chapter, a man is speeding through Arizona to get to his father’s wedding when he strikes a dog on the highway, and in short order he’s pursuing a fling with its owner. Cut to a story narrated by the son of a friend of the groom, recalling the perils of buying a home without a real estate agent. Cut then to a story about the angst-ridden former owner of the house and his brother, whose wife is having an affair with a reality TV star. And so on: The connections between the characters are often tenuous (though Petersen ties a bow at the end), but they’re all grown-ups who make rash, immature attempts to reboot their lives and pay the price for it. “I wanted to find a different path,” says the ill-fated home buyer, though he could be speaking for everybody populating this book. “I wanted to buck the system. That was all me.” Petersen usually delivers the stories in the first person, with narrators recalling their personal-life own goals with sardonic humor or barely contained fury. But the penultimate story, “Providence,” is a gem told in the third person, involving Eric, a deaf teenager attempting to rise above his trailer-park upbringing and sour memories of his mother’s death by delivering chemicals for meth labs throughout rural Oklahoma. Like everybody else here, he’s a victim of his own bad decisions, but Petersen so carefully and compassionately arrays the forces in his life (dead mom, remorseful dad, a conspicuous disability) that every easy assumption gets repelled.
An engaging set of stories of broken lives, jagged in structure but smooth in the telling.Pub Date: May 1, 2018
ISBN: 978-1-64009-065-1
Page Count: 224
Publisher: Counterpoint
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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