Poet Derricotte offers this portrait of a black woman's frustrating experience with racial prejudice from both outside and within her own people, and her own ambivalence about the color of her skin. This volume is largely comprised of the journals that Derricotte kept when she lived for the first time in a mostly white community. The author, who is light-skinned enough to ``pass'' when she wants, recounts keeping her dark-skinned husband away from real-estate brokers so that she could be shown better homes in nicer neighborhoods. This process secured her a house in an affluent suburb of New York but led to so much self-loathing and examination of her own feelings about the darker-skinned members of her race that she suffered a deep depression and ultimately separated from her husband. She wrote The Black Notebooks, she notes in her introductory essay, not out of ``desire'' but to ``save [her] life.'' At her best, Derricotte is reminiscent of Nella Larsen, for whom ``passing'' was a primary topic, and Doris Lessing in The Golden Notebooks, which is also about avoiding breakdown through writing. Some pieces in the collection are less cohesive than others and are subsequently less impressive from an artistic standpoint than pieces with a strong overarching theme. Typical of the latter group are ``The Club,'' which concerns Derricotte's and her husband's sojourn in the white suburbs and the country club that they were never invited to join, and ``Diaries at an Artists' Colony,'' with its collection of reactions from fellow colonists to her revelation of her racial background. ``Blacks in the U.'' and ``Face to Face,'' on the other hand, are more disjointed, but their point is not lost: It's not easy to be a black person in either a racially divided country or a color-conscious black community. A very strong first prose offering on an always provocative subject. (Author tour)
Pub Date: Oct. 1, 1997
ISBN: 0-393-04544-7
Page Count: 160
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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