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PILSNER

HOW THE BEER OF KINGS CHANGED THE WORLD

Though sometimes repetitious, Acitelli’s confident, precise approach produces an entertaining narrative.

The stealthy rise of humble Bavarian-style pilsner as the world’s everyday beer. Acitelli, a James Beard Award finalist who has written widely about beer, wine, and whiskey, shrewdly connects the story of the quintessentially plebeian tipple to time and place, starting with early European experiments in fermentation. By 1900, he writes, “barely fifty years old, [pilsner] was the ascendant beer style and one of the bestselling alcoholic beverages ever.” In a humorously meandering narrative, the author ties pilsner’s popularity to Europe’s cycles of violence and upheaval, which spread it to America alongside immigration, even as the beer barons embraced innovation. For example, although Louis Pasteur originally intended to aid European winemakers, “Pastuerization instead proved much more popular and durable among brewers.” When backlash threatened, “brewers hardly noticed. They were in the midst of a remarkable run of growth.” Yet, temperance advocates harnessed the World War I–era anti-German hysteria to propel their agenda. The resulting Prohibition “all but killed off the American brewing industry and its favored style.” Although the large brewers roared back following the repeal of Prohibition, writes Acitelli, “it was as if [beer] had been run through a decontextualization machine.” Such watersheds as the 1935 introduction of canned beer by a smaller brewer contrasted with the dominance of the giant brewers Anheuser-Busch and Pabst, which increasingly snapped up smaller concerns, as well as competition for market share by foreign entities like Heineken. After World War II, brewers continued to pursue consolidation and new technologies even as their signature product declined in consumer cachet beginning in the 1950s. As Acitelli notes, “so many breweries…had unwittingly set themselves up to fail in the 1960s [once] the positioning of pilsner as a lifestyle choice did not work.” This would only change decades later, as better-marketed beers like Anchor Steam returned via foodie culture and the microbrew explosion. Though sometimes repetitious, Acitelli’s confident, precise approach produces an entertaining narrative.

Pub Date: July 7, 2020

ISBN: 978-1-64160-182-5

Page Count: 320

Publisher: Chicago Review Press

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CALYPSO

Sedaris at his darkest—and his best.

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In which the veteran humorist enters middle age with fine snark but some trepidation as well.

Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.

Sedaris at his darkest—and his best.

Pub Date: May 29, 2018

ISBN: 978-0-316-39238-9

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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