PILSNER

HOW THE BEER OF KINGS CHANGED THE WORLD

Though sometimes repetitious, Acitelli’s confident, precise approach produces an entertaining narrative.

The stealthy rise of humble Bavarian-style pilsner as the world’s everyday beer. Acitelli, a James Beard Award finalist who has written widely about beer, wine, and whiskey, shrewdly connects the story of the quintessentially plebeian tipple to time and place, starting with early European experiments in fermentation. By 1900, he writes, “barely fifty years old, [pilsner] was the ascendant beer style and one of the bestselling alcoholic beverages ever.” In a humorously meandering narrative, the author ties pilsner’s popularity to Europe’s cycles of violence and upheaval, which spread it to America alongside immigration, even as the beer barons embraced innovation. For example, although Louis Pasteur originally intended to aid European winemakers, “Pastuerization instead proved much more popular and durable among brewers.” When backlash threatened, “brewers hardly noticed. They were in the midst of a remarkable run of growth.” Yet, temperance advocates harnessed the World War I–era anti-German hysteria to propel their agenda. The resulting Prohibition “all but killed off the American brewing industry and its favored style.” Although the large brewers roared back following the repeal of Prohibition, writes Acitelli, “it was as if [beer] had been run through a decontextualization machine.” Such watersheds as the 1935 introduction of canned beer by a smaller brewer contrasted with the dominance of the giant brewers Anheuser-Busch and Pabst, which increasingly snapped up smaller concerns, as well as competition for market share by foreign entities like Heineken. After World War II, brewers continued to pursue consolidation and new technologies even as their signature product declined in consumer cachet beginning in the 1950s. As Acitelli notes, “so many breweries…had unwittingly set themselves up to fail in the 1960s [once] the positioning of pilsner as a lifestyle choice did not work.” This would only change decades later, as better-marketed beers like Anchor Steam returned via foodie culture and the microbrew explosion. Though sometimes repetitious, Acitelli’s confident, precise approach produces an entertaining narrative.

Pub Date: July 7, 2020

ISBN: 978-1-64160-182-5

Page Count: 320

Publisher: Chicago Review Press

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

UNGUARDED

Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.

The Chicago Bulls stalwart tells all—and then some.

Hall of Famer Pippen opens with a long complaint: Yes, he’s a legend, but he got short shrift in the ESPN documentary about Michael Jordan and the Bulls, The Last Dance. Given that Jordan emerges as someone not quite friend enough to qualify as a frenemy, even though teammates for many years, the maltreatment is understandable. This book, Pippen allows, is his retort to a man who “was determined to prove to the current generation of fans that he was larger-than-life during his day—and still larger than LeBron James, the player many consider his equal, if not superior.” Coming from a hardscrabble little town in Arkansas and playing for a small college, Pippen enjoyed an unlikely rise to NBA stardom. He played alongside and against some of the greats, of whom he writes appreciatively (even Jordan). Readers will gain insight into the lives of characters such as Dennis Rodman, who “possessed an unbelievable basketball IQ,” and into the behind-the-scenes work that led to the Bulls dynasty, which ended only because, Pippen charges, the team’s management was so inept. Looking back on his early years, Pippen advocates paying college athletes. “Don’t give me any of that holier-than-thou student-athlete nonsense,” he writes. “These young men—and women—are athletes first, not students, and make up the labor that generates fortunes for their schools. They are, for lack of a better term, slaves.” The author also writes evenhandedly of the world outside basketball: “No matter how many championships I have won, and millions I have earned, I never forget the color of my skin and that some people in this world hate me just because of that.” Overall, the memoir is closely observed and uncommonly modest, given Pippen’s many successes, and it moves as swiftly as a playoff game.

Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.

Pub Date: Nov. 9, 2021

ISBN: 978-1-982165-19-2

Page Count: 320

Publisher: Atria

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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