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PILSNER

HOW THE BEER OF KINGS CHANGED THE WORLD

Though sometimes repetitious, Acitelli’s confident, precise approach produces an entertaining narrative.

The stealthy rise of humble Bavarian-style pilsner as the world’s everyday beer. Acitelli, a James Beard Award finalist who has written widely about beer, wine, and whiskey, shrewdly connects the story of the quintessentially plebeian tipple to time and place, starting with early European experiments in fermentation. By 1900, he writes, “barely fifty years old, [pilsner] was the ascendant beer style and one of the bestselling alcoholic beverages ever.” In a humorously meandering narrative, the author ties pilsner’s popularity to Europe’s cycles of violence and upheaval, which spread it to America alongside immigration, even as the beer barons embraced innovation. For example, although Louis Pasteur originally intended to aid European winemakers, “Pastuerization instead proved much more popular and durable among brewers.” When backlash threatened, “brewers hardly noticed. They were in the midst of a remarkable run of growth.” Yet, temperance advocates harnessed the World War I–era anti-German hysteria to propel their agenda. The resulting Prohibition “all but killed off the American brewing industry and its favored style.” Although the large brewers roared back following the repeal of Prohibition, writes Acitelli, “it was as if [beer] had been run through a decontextualization machine.” Such watersheds as the 1935 introduction of canned beer by a smaller brewer contrasted with the dominance of the giant brewers Anheuser-Busch and Pabst, which increasingly snapped up smaller concerns, as well as competition for market share by foreign entities like Heineken. After World War II, brewers continued to pursue consolidation and new technologies even as their signature product declined in consumer cachet beginning in the 1950s. As Acitelli notes, “so many breweries…had unwittingly set themselves up to fail in the 1960s [once] the positioning of pilsner as a lifestyle choice did not work.” This would only change decades later, as better-marketed beers like Anchor Steam returned via foodie culture and the microbrew explosion. Though sometimes repetitious, Acitelli’s confident, precise approach produces an entertaining narrative.

Pub Date: July 7, 2020

ISBN: 978-1-64160-182-5

Page Count: 320

Publisher: Chicago Review Press

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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THE GAME

An overstuffed, enjoyable jaunt through the NFL’s recent past.

Four decades of football, as chronicled by a well-known sportswriter.

Longtime Sports Illustrated gridiron reporter King takes a maximalist approach, devoting one chapter to each year from 1984, when he started writing about the NFL, to 2023, the last season he covered the league full-time. This lengthy professional memoir features anecdotes and commentary, an argument-starting list of names for his “Mount Rushmore of Pro Football,” a crossword puzzle, and informative tidbits on tactics and playcalling, as well as profiles of singular players and warranted criticism of league bosses’ handling of player health and sports gambling. King skillfully charts the NFL’s inexorable growth. When he started, snail-mail newsletters were must-reads. In today’s media landscape, streaming networks have spent $4.3 billion to broadcast 58 games. As the author illustrates, Paul Tagliabue, a relatively unheralded league commissioner, engineered the year-round fan experience, with “tentpole events like a draft with more fanfare, free agency, and a new TV channel.” Polls showed that baseball and football were equally popular in the ’80s, but, by 2024, football had four times as many fans. Yet King’s kitchen-sink approach results in some bloat. Nobody yearns for a minute-by-minute rehash of the Cowboys’ 1991 draft or a rundown of the “quotes of 2002.” But amid the overabundance, there’s ample charm. In his best chapters, King catches up with guys he wrote about years ago. An 80-something Hall of Fame coach sketches Xs and Os on a notepad. A retired player known for his creative trash-talking shares tricks of the trade. In a powerful chapter, King visits a lab and looks at the damaged brain of a player he voted for in Hall of Fame balloting. This dovetails with King’s number-crunching on per-game hits sustained by players, important analysis as the league considers expanding its schedule.

An overstuffed, enjoyable jaunt through the NFL’s recent past.

Pub Date: Oct. 13, 2026

ISBN: 9781324123637

Page Count: 576

Publisher: Norton

Review Posted Online: Aug. 3, 2026

Kirkus Reviews Issue: Sept. 1, 2026

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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