Bodett, of Motel 6 commercial and NPR fame, author of collections of homespun vignettes such as The End of the Road (1989), offers a flawed but often moving first novel. Webster Cummings, a Boston statistician, falls from an airplane over New Hampshire but happens to land in perfect tandem with the angle of a ski slope. He slides into the valley below and uphill again, then is catapulted to his feet like some sort of superhero. This near-death experience causes Webster to reassess his thus far inconsequential life: An adoptee, he becomes obsessed with finding his real mother and father. From this grand and amusing, if unlikely, premise, Bodett begins peeling away layers of mystery, beginning in Alaska with a teenaged couple banned by a cruel old patriarch for sleeping together out of wedlock, then to Ohio, Indiana, Seattle, and the fruit country of north-central Oregon—where most of the story is set. No doubt about it, Bodett loves his small-town folk and does them beautifully: a fragile, naãve Ohio couple who trade in their home for a gas-guzzling RV and go visit the children who don't want to see them; a dreamy, homeless man who wanders the Seattle waterfront, reporting for his various ``jobs''; a heavy equipment operator who loses his arm in an accident, drifts toward alcoholism, and finds redemption in bringing to life a failed peach orchard. Just as often, Bodett is a masterful light satirist: His portrait of a bicoastal yuppie couple having their first baby is a scream. When it comes to plotting, however, Bodett is a third-rate Dickens, relying on contrivance and coincidence to bring his huge cast together. So the only reason to read him is his people, who break your heart. (Author tour)
Pub Date: April 4, 1996
ISBN: 0-7868-6209-2
Page Count: 384
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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