Enchanting.
A brother and sister must overcome obstacles to rescue each other in a marvelous journey.
“There once lived,” the tale begins, and it ends quite satisfactorily with “happily ever after.” In between, two heroic adventures are linked together, each complete with difficulties, brave rescues, kindnesses, and magical coincidences. The little wooden robot and the log princess are gifts from the royal inventor and a clever witch, respectively, for “a king and queen who happily ruled a pleasant land” but had no children. Everyone in the family loves one another, and the siblings play together all day. But when, calamitously, the princess becomes fixed in her log form one night, the little robot doesn’t hesitate to board a ship for the far north to save his sister, and when his parts fail on the way back, the princess steps up courageously. The additional myriad escapades of each young hero are captured in charming graphic montages. Gauld’s crisp, clear art, with captivating small details in backgrounds and endpapers, adds richness to the narrative. The amiable faces of each of his human and humanoid characters, along with those of birds, bugs, and forest creatures, give a feel of intimacy and familiarity. The queen appears Black and the king White, and the princess has brown skin. Gauld’s fairy tale feels both timeless and completely new; utterly fresh, yet like a story heard long ago and finally found again.
Enchanting. (Picture book. 3-7)Pub Date: Aug. 24, 2021
ISBN: 978-0-8234-4698-8
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
Sky-based pyrotechnics make for a fun if somewhat confusing telling.
In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.
“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.
Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)Pub Date: Sept. 24, 2024
ISBN: 9781250843661
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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