A devious and deranged thriller.
Thelma meets The Bad Seed meets The White Lotus in this Covid-19-era tale of an elderly American woman's murderous obsession with a troubled young boy at an Egyptian hotel.
The 81-year-old Maggie Burkhardt left her home in Wisconsin six years ago following the deaths of her husband and daughter. Moving from hotel to hotel, she spent five years in the Alps, where she perfected her unseemly skill at insinuating herself into people's lives to cause the breakup of what she deems bad marriages. "I liberate people who don’t know they’re stuck," says the widow, whose methods include planting false evidence of infidelities and relating false rumors. After both partners in one targeted marriage die—the wife by strangling, the husband by suicide—and suspicions point Maggie's way, she escapes to Luxor and picks up where she left off. Convincing her fellow hotel guests that she is a kindly old lady, she sets her sights on a young American woman, Tess, only to find her hands full with Tess’ psychologically damaged 8-year-old, Otto. He incurs Maggie's wrath with stunts like stealing a precious ribboned lock of her husband's hair and pretending to be her late daughter on the phone. Taking heavy doses of antipsychotic drugs, she becomes determined to kill the boy. Guests who threaten to expose her turn up dead. Others are arrested for crimes they didn't commit. Returning to the setting of his gripping novel The Lost Americans (2023), Bollen takes the art of the unreliable, self-deluded narrator to new heights. Did Maggie really have a happy marriage? Did her family really die? Is she really 81? (All the physical stuff she must do would suggest someone younger.) The ending of the novel is a bit slack, leaving plot strings untied. But it's still a wicked delight.
A devious and deranged thriller.Pub Date: Dec. 3, 2024
ISBN: 9780063378896
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
A rather flat entry in a generally excellent series.
The 25th novel featuring Silva’s legendary protagonist.
During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.
A rather flat entry in a generally excellent series.Pub Date: July 15, 2025
ISBN: 9780063384217
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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