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A concise and engaging account that explores a family’s secrets.

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In this family memoir, a man excavates the mysteries surrounding his sister’s death.

When LeCompte was only 6, his 11-year-old sister, Louisa, died in the midst of an asthma attack. Her last words were, oddly, “You all hate me.” Stranger still was how the author’s family reacted: “As shocking as her death was, my family never went through the ritual of mourning. There was no funeral, no memorial service, no obituary, no headstone or marker. We went on as if nothing had happened. We never talked about Louisa.” It was only as an adult that LeCompte began to wonder about this lacuna in his family history. The chance to learn the specifics—including, first and foremost, what was done with Louisa’s body—came while caring for his mother, Janet, who had Alzheimer’s disease. He discovered the woman’s diaries. Kept by Janet from the ages of 13 to 81, the diaries documented the full breadth of her inner life. She continued writing even after the disease had eroded her ability to read and speak. Two things about the diaries immediately struck the author. The first was the omissions, including the time LeCompte, at 4 or 5, drank a whole bottle of cough syrup and nearly died. The second was Janet’s extreme anger—at her alcoholic father, her taciturn husband, her seven children (two of whom died in childhood), and, most of all, herself. While the author made his way through his mother’s diaries in order to figure out what happened to Louisa, he was treated to greater insights into Janet via her doctors, one of whom suggested she might have had bipolar disorder for most of her life. As LeCompte got closer to the real story of Louisa’s life and death, a clearer picture not only of her, but also of his entire family came into troubling focus.

The author writes in measured, thoughtful prose, taking his time with each new piece of information. But much of the best writing in the book is found in quotations from Janet’s diaries, which are stark, declarative, and unexpectedly poignant. “She might have lived longer and more comfortably if I had been a better mother,” Janet wrote shortly after Louisa’s death, “but I am not a better mother. I did not appreciate her. Often I did not love her or even like her. I didn't want her around much of the time. She would say ‘Oh, stay’ and I would go.” While the mystery surrounding Louisa serves as the volume’s engine, LeCompte (and readers) quickly becomes more invested in the even greater enigma of Janet, whose diaries provided a welcome window into a consciousness rendered otherwise inaccessible by Alzheimer’s. This is a short, well-paced memoir that deftly presents its material, including a few surprise discoveries that complicated the author’s understanding of the past. Readers who have lost family members to any sort of malady, or whose parents were tight-lipped when it came to expressing their feelings, will find something relatable in this work of family history.

A concise and engaging account that explores a family’s secrets.

Pub Date: March 4, 2022

ISBN: 979-8510599503

Page Count: 208

Publisher: Independently Published

Review Posted Online: July 28, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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