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AND THE MONKEY LEARNED NOTHING

DISPATCHES FROM A LIFE IN TRANSIT

A travel memoir with short, provocative, occasionally inscrutable entries that will eventually tire even armchair travelers.

Postcards from around the globe, far from the beaten path of tourism.

Los Angeles Review of Books founder and editor-in-chief Lutz (Doing Nothing: A History of Loafers, Loungers, Slackers, and Bums in America, 2006) writes that he originally intended to subtitle this book “Around the World in Eighty Anecdotes.” “I thought it was an honest disclosure,” he writes. “What follows is an anecdotal rendering of eighty moments in my traveling life, with no attempt to use them to trace any world picture or any narrative arc.” Or to teach any moral lesson, though there is plenty to be learned here, for the writer and readers alike. Often in a state between dislocation and disorientation, he found himself grappling with the culture, politics, and religions of places where he could barely read the signposts. He writes of beggars who were more like demanders and of borders where he was often unclear whether the papers he brought with him to cross would allow him to cross back and, if so, who needed to be bribed how much. Lutz disdains the surface pleasures of tourism, but at a Zimbabwe National Park, he recognized that he “couldn’t shake the sense that I was not in the wild at all, but in a New Jersey safari park….I am a tourist. I love elephants.” He does, however, hate monkeys with a passion that puts a different slant on the title. He usually traveled alone, typically where other travelers don’t, but he often encountered kindred spirits who aided his understanding or shared his confusion. A musician himself, he responded to a variety of extraordinary music, which required no translation. When the book arrives at its final section on Europe, it is no surprise to readers that there is no visit to London, Paris, or Venice, or even to the countries where those much-visited cities are located.

A travel memoir with short, provocative, occasionally inscrutable entries that will eventually tire even armchair travelers.

Pub Date: Oct. 1, 2016

ISBN: 978-1-60938-449-4

Page Count: 240

Publisher: Univ. of Iowa

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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