A funny and charming first novel from the author of a highly acclaimed collection of linked short stories, Bad Haircut (1994). Like its predecessor, Perrotta's agreeably manic chronicle of prolonged adolescence is set in suburban New Jersey. It covers a chaotic six months (MaySeptember 1994) in the life of Dave Raymond, who's 31 and still lives with his parents, works as a freelance driver for a courier service, plays guitar for a local band (the title group), and enjoys a more-or-less committed relationship with Julie Muller, the girl he's been ``with'' since their high school days. When Dave impulsively proposes marriage and Julie eagerly accepts, the looming specters of stability and fidelity severely test Dave's fatigued mettle—as he and his fellow Wishbones endure a series of bittersweet misadventures recounted with irresistible tongue-in-cheek deadpan brio. The novel is brimming with sharply observed secondary characters, including bandmates Buzzy (a happily married alcoholic), Stan (ever morosely unlucky in love), and Ian (who's writing a musical about the assassination of JFK); a former doper turned priest; and Gretchen, the girl with whom Dave happily dallies even as his wedding day draws nearer. Perrotta offers such beguiling set pieces as a wedding at which an elderly band singer dies onstage; a hilariously described poetry reading (where Gretchen performs, and which features ``a philosophical dialogue between Jack Kerouac and Charles Manson. . . [that] turned out to be an excuse to talk really fast and say the word `man' a lot''); and the Wishbones's disastrous gig playing for a group of neo-Nazi survivalist skinheads. Nor does the climactic wedding itself disappoint: It's a wonderfully cacophonous celebration of life during which the tamed Dave ``already. . . feels himself being transformed into a historical figure, frozen into anecdote by his unborn children and grandchildren.'' Pure pleasure. And it'll make a terrific movie.
Pub Date: May 1, 1997
ISBN: 0-399-14267-3
Page Count: 304
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.
A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.
When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.Pub Date: Feb. 7, 2017
ISBN: 978-941040-51-5
Page Count: 368
Publisher: Tin House
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one...
An inordinately moving, electric exploration of two warring cultures fused in love, focused on the lives of four Chinese women—who emigrated, in their youth, at various times, to San Francisco—and their very American 30-ish daughters.
Tan probes the tension of love and often angry bewilderment as the older women watch their daughters "as from another shore," and the daughters struggle to free themselves from maddening threads of arcane obligation. More than the gap between generations, more than the dwindling of old ways, the Chinese mothers most fear that their own hopes and truths—the secret gardens of the spirit that they have cultivated in the very worst of times—will not take root. A Chinese mother's responsibility here is to "give [my daughter] my spirit." The Joy Luck Club, begun in 1939 San Francisco, was a re-creation of the Club founded by Suyuan Woo in a beleaguered Chinese city. There, in the stench of starvation and death, four women told their "good stories," tried their luck with mah-jongg, laughed, and "feasted" on scraps. Should we, thought Suyuan, "wait for death or choose our own happiness?" Now, the Chinese women in America tell their stories (but not to their daughters or to one another): in China, an unwilling bride uses her wits, learns that she is "strong. . .like the wind"; another witnesses the suicide of her mother; and there are tales of terror, humiliation and despair. One recognizes fate but survives. But what of the American daughters—in turn grieved, furious, exasperated, amused ("You can't ever tell a Chinese mother to shut up")? The daughters, in their confessional chapters, have attempted childhood rebellions—like the young chess champion; ever on maternal display, who learned that wiles of the chessboard did not apply when opposing Mother, who had warned her: "Strongest wind cannot be seen." Other daughters—in adulthood, in crises, and drifting or upscale life-styles—tilt with mothers, one of whom wonders: "How can she be her own person? When did I give her up?"
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one that matches the vigor and sensitivity of Maxine Hong Kingston (The Warrior Woman, 1976; China Men, 1980) in her tributes to the abundant heritage of Chinese-Americans.Pub Date: March 22, 1989
ISBN: 0143038095
Page Count: -
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1989
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