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IN THE SEASON OF THE DAISIES

Personal tragedy wrought by misguided political action keeps an Irish town on edge for nearly 30 years, in this forceful if flawed American debut from Irish ÇmigrÇ and former priest Phelan. No love is lost in portraying the Catholic Church and its representative, Father Quinn, a rabid nationalist whose support of Hitler from the pulpit during WW II and decades-long hounding of his parishioners for money to add an unneeded wing to the church have left them wary and quietly resentful. But the central figure here is Seannie Doolin, a 40-year-old boy whose intelligence and musical genius were snuffed out in childhood when he was forced to watch his twin brother murdered by an IRA team (the boys had inadvertently witnessed an assassination). The participants in that night's work have lived uneasily with the memory ever since, with Seannie's ravaged face (a blind eye, the result of a rock thrown at him when his brother was killed) and wraithlike presence a constant reminder. McKenna, the town doctor, has been drunk for 27 years, while another of the team has become a virtual monk, but the response of the vicious Mahon, who would have pulled the trigger but for an impatient comrade, has been to cover his tracks by killing the killer—who called him a coward—and by terrorizing Seannie at every chance. The night before the new church is to be dedicated, the past returns in deadly earnest, as Mahon's near- fatal beating of Seannie awakens the man in the boy, and he finally takes his revenge for what happened to his brother. Quinn, the IRA leader who ordered the mission, then washed his hands of it, is also called to account. Told from each man's perspective, Phelan's debut is initially a complex, even riveting narrative, catching especially well the fractured workings of Seannie's mind, but too many voices and a clichÇd howler of a climax prove the story's undoing.

Pub Date: Nov. 15, 1996

ISBN: 1-56858-074-6

Page Count: 230

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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CUTTING FOR STONE

A bold but flawed debut novel.

There’s a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994).

The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. “Where but in medicine,” he asks, “might our conjoined, matricidal, patrifugal, twisted fate be explained?” The question is key, revealing Verghese’s intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operations—a bowel obstruction here, a vasectomy there—overwhelm the narrative. Characterization suffers. The boys’ Ethiopian identity goes unexplored. Shiva is an enigma, though it’s no surprise he’ll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them.

A bold but flawed debut novel.

Pub Date: Feb. 6, 2009

ISBN: 978-0-375-41449-7

Page Count: 560

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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