Personal tragedy wrought by misguided political action keeps an Irish town on edge for nearly 30 years, in this forceful if flawed American debut from Irish ÇmigrÇ and former priest Phelan. No love is lost in portraying the Catholic Church and its representative, Father Quinn, a rabid nationalist whose support of Hitler from the pulpit during WW II and decades-long hounding of his parishioners for money to add an unneeded wing to the church have left them wary and quietly resentful. But the central figure here is Seannie Doolin, a 40-year-old boy whose intelligence and musical genius were snuffed out in childhood when he was forced to watch his twin brother murdered by an IRA team (the boys had inadvertently witnessed an assassination). The participants in that night's work have lived uneasily with the memory ever since, with Seannie's ravaged face (a blind eye, the result of a rock thrown at him when his brother was killed) and wraithlike presence a constant reminder. McKenna, the town doctor, has been drunk for 27 years, while another of the team has become a virtual monk, but the response of the vicious Mahon, who would have pulled the trigger but for an impatient comrade, has been to cover his tracks by killing the killer—who called him a coward—and by terrorizing Seannie at every chance. The night before the new church is to be dedicated, the past returns in deadly earnest, as Mahon's near- fatal beating of Seannie awakens the man in the boy, and he finally takes his revenge for what happened to his brother. Quinn, the IRA leader who ordered the mission, then washed his hands of it, is also called to account. Told from each man's perspective, Phelan's debut is initially a complex, even riveting narrative, catching especially well the fractured workings of Seannie's mind, but too many voices and a clichÇd howler of a climax prove the story's undoing.
Pub Date: Nov. 15, 1996
ISBN: 1-56858-074-6
Page Count: 230
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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