MY COLD WAR

Name: MY COLD WAR
Author: Tom Piazza
ISBN: 0-06-053340-4

by Tom Piazza ‧ RELEASE DATE: Sept. 16, 2003

Intelligent, sharply observed, often very funny—the portraits of various trendy academics are a scream—but never gets beyond...

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Michener Award–winning storywriter author Piazza (Blues and Trouble, 1996) delineates a historian’s midlife crisis in his first novel, recipient of the Faulkner Society Medal.

Narrator John Delano, a professor at Hollister College in Connecticut, made his reputation with studies of the Cold War focused on imagery rather than content. A former student who’s now a hotshot New York editor has given him big bucks for a book to “approach the Cold War strictly from the surface, as you do in class.” But Delano can’t write it. His father just died, he’s had some unpleasant run-ins with fellow professors who disdain his “value-neutral” methodology, even his wife, an earnest labor organizer, is increasingly alienated by his deconstructionist attitude toward life. He’s plagued by unwanted memories: of his childhood in Atlanticville, Long Island (“classic Levittown-style suburbia”); of his father’s free-floating anger, rabid conservatism, and eventual nervous breakdown; of his sweet younger brother Chris, whom he hasn’t spoken to in eight years. Of course he can’t get out of his professional bind until he grapples with his personal problems, so the overdetermined plot sends him off to find Chris, who has fallen in with a nasty bunch of white supremacists in Iowa. Our hyper-self-aware protagonist realizes that he may want to reconcile with his brother just so he can use their meeting as fodder for a book to give his editor in place of the one he can’t write, and this knowingness is a problem with My Cold War as a whole. Everything is analyzed to death, and the insights are stale. You feel you’ve heard it all before, right down to the glib finale, in which Delano heads toward his hometown and turns off to visit the Atlanticville Historical Museum, where his past is under glass as an architect’s model of the suburban development he grew up in.

Intelligent, sharply observed, often very funny—the portraits of various trendy academics are a scream—but never gets beyond generic Baby Boomer angst.

Pub Date: Sept. 16, 2003

ISBN: 0-06-053340-4

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2003

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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by Harper Lee ; edited by Casey Cep

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by Harper Lee

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).