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THE BLACK COUNT

GLORY, REVOLUTION, BETRAYAL, AND THE REAL COUNT OF MONTE CRISTO

A rarefied, intimate literary study delineating a roiling revolutionary era.

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A compelling new work by literary detective Reiss (The Orientalist: Solving the Mystery of a Strange and Dangerous Life, 2005) tracks the wildly improbable career of Alexandre Dumas’ mixed-race father.

Using records from Gen. Dumas’ final residence and the military archives at the Chateau de Vincennes, the author provides a vivid sense of who Dumas was and how he attained such heights and fell so low after the French Revolution, being nearly forgotten by the time of his death in 1806. The simple answer seems to be racism. Born to an aristocratic French father and a slave mother in Saint-Domingue, Dumas became a general in the French Revolution and served under Napoleon, by turns lauded as a hero and vilified as a black insurgent. Taken prisoner on the way back from Egypt, his health was ruined after two years' imprisonment in Italy. His novelist son paid homage to his father’s legendary stature, manliness, athletic prowess and bravery in his best-known protagonists—e.g., Edmond Dantès in The Count of Monte Cristo and the swashbuckling D’Artagnon in The Three Musketeers. The general’s own father pawned the boy and took him to Paris to make a gentleman of him. Enlisting as a private in the Queen’s Dragoons at age 24, he changed his name to Dumas, his slave mother’s maiden name. Thanks to the republican spirit of the period and to his own dazzling exploits, he was handily promoted, yet as swiftly demoted by Napoleon, who later passed harsh racial laws. He was never provided the military pension allowed him, and his widow and children sank into hardship; Dumas the novelist was excoriated 40 years later for his black ancestry. Reiss eloquently argues the general’s case.

A rarefied, intimate literary study delineating a roiling revolutionary era.

Pub Date: Sept. 18, 2012

ISBN: 978-0-307-38246-7

Page Count: 352

Publisher: Crown

Review Posted Online: April 29, 2012

Kirkus Reviews Issue: June 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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