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THE MOST SPECTACULAR RESTAURANT IN THE WORLD

THE TWIN TOWERS, WINDOWS ON THE WORLD, AND THE REBIRTH OF NEW YORK

Stories of creation and destruction told in an informed and compassionate voice.

A detailed, inspiring, and horrifying account of the restaurant that sat atop the North Tower of the World Trade Center.

Former Premiere senior editor Roston (I Lost It at the Video Store: A Filmmakers' Oral History of a Vanished Era, 2015) returns with a rich, complex account of Windows on the World, a story the author begins by discussing the many immigrants who worked there—later, he includes one of Donald Trump’s many clueless comments about 9/11. However, politics is much in the background; in the foreground are the many stories of the founders of the restaurant, the local politics (e.g., dealing with the Port Authority, the organization that controlled the site), key workers in the restaurant, the amenities, and the menus. He also chronicles the fundamental changes that occurred after the Feb. 26, 1993, truck-bomb episode. Informed by more than 125 interviews, the text is most impressive for its accounts of the human relationships involved, both the friendships and the fiery competitions among some of the managers. Emerging above all is Joe Baum, the restaurateur, who, writes Roston, “could electrify or freeze a room, depending on his mood.” Baum and his colleagues faced significant challenges in the space. For example, they were not allowed to use natural gas and had to use electricity (which most all disdained) and a charcoal pit, and they were dealing with a rough economy in the mid-1970s. Eventually, however, the restaurant grossed enormous sums and became a New York City institution. Roston concludes with some very painful chapters about 9/11: the day before, the day of, the days after. All who were in the restaurant died that day; there was no escape from the floors above the impact. As the author grimly reminds us, many on the doomed upper floors jumped, preferring that to incineration.

Stories of creation and destruction told in an informed and compassionate voice.

Pub Date: Sept. 10, 2019

ISBN: 978-1-4197-3799-2

Page Count: 352

Publisher: Abrams

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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WHEN THE GAME WAS OURS

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

NBA legends Bird and Johnson, fierce rivals during their playing days, team up on a mutual career retrospective.

With megastars LeBron James and Kobe Bryant and international superstars like China’s Yao Ming pushing it to ever-greater heights of popularity today, it’s difficult to imagine the NBA in 1979, when financial problems, drug scandals and racial issues threatened to destroy the fledgling league. Fortunately, that year marked the coming of two young saviors—one a flashy, charismatic African-American and the other a cocky, blond, self-described “hick.” Arriving fresh off a showdown in the NCAA championship game in which Johnson’s Michigan State Spartans defeated Bird’s Indiana State Sycamores—still the highest-rated college basketball game ever—the duo changed the course of history not just for the league, but the sport itself. While the pair’s on-court accomplishments have been exhaustively chronicled, the narrative hook here is unprecedented insight and commentary from the stars themselves on their unique relationship, a compelling mixture of bitter rivalry and mutual admiration. This snapshot of their respective careers delves with varying degrees of depth into the lives of each man and their on- and off-court achievements, including the historic championship games between Johnson’s Lakers and Bird’s Celtics, their trailblazing endorsement deals and Johnson’s stunning announcement in 1991 that he had tested positive for HIV. Ironically, this nostalgic chronicle about the two men who, along with Michael Jordan, turned more fans onto NBA basketball than any other players, will likely appeal primarily to a narrow cross-section of readers: Bird/Magic fans and hardcore hoop-heads.

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

Pub Date: Nov. 4, 2009

ISBN: 978-0-547-22547-0

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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