A cool, smart, and stylish first thriller—St. Thomas-set—of murder plot and counterplot that features a major twist in nearly every one of its 18 tightly woven chapters. After a preface set 20 years back, detailing the discovery by a Long Island postman of a dead woman and, clutching a knife and saying, ``I killed her,'' her bloodstained little girl, Savage moves to today's Caribbean. Right away, we read that ``The idea of murder, once formed in her mind, simply would not go away.'' In whose mind? Well, many readers will ignore the ellipses at the end of the first paragraph and, going on to read that ``Kay watched the girl from her chaise lounge...,'' will assume that the potential murderess is Kay—though it's soon revealed that Kay is the intended victim, and ``the girl'' the killer—just one tiny way in which Savage plays with prose-and-plot conventions to spin expectations around. The girl, a young beauty calling herself Diana Meissen (like most everyone here, she's not who she claims), gets herself hired as governess to Kay's daughter—and that night is kissing Kay's handsome, middle-aged husband, Adam: ``I wanted so much to call you....'' Are Diana and Adam planning to kill Kay? So it seems—especially when Adam commits a series of robbery-slayings in order to blame Kay's death on a homicidal thief. But how do these killings relate to identical ones ten and twenty years before? How do they tie in with the young man, allegedly a real- estate developer, who's spying on Diana? Or with the girl who held the knife years ago? Surprise piles upon surprise, logically, convincingly, until all secrets—revolving around an old family horror—are resolved in a climax that owes a debt to Greek tragedy. Not so much suspenseful as intellectually satisfying: a finely wrought, unusually clever literary debut—and a natural for the movies.
Pub Date: Jan. 18, 1994
ISBN: 0-316-77160-0
Page Count: 320
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 1993
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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