Good fun, and a gentle reminder that science and showbiz have been happy partners for a long time. (25 b&w...

THE TURK

THE LIFE AND TIMES OF THE FAMOUS EIGHTEENTH-CENTURY CHESS-PLAYING MACHINE

English technology journalist Standage (The Victorian Internet, 1998, etc.) recounts the quirky history of a mechanical chess-playing machine.

After 1735, machines that simulated animal life, known as automata, became more complex and popular. A mechanical duck that flapped its wings and digested food drew large audiences, as did the Panharmonicon, a small orchestra that played Beethoven. The most interesting of these automata was “the Turk,” designed by Wolfgang von Kempelen to please his boss, Austro-Hungarian Empress Maria Theresa. Debuting in Vienna in 1770, the Turk was a life-sized figure of carved wood dressed like an oriental sorcerer (complete with turban) who sat behind a cabinet topped by a chessboard. To dispel suspicions of a hidden human puppet-master, Kempelen began the show by opening the empty cabinet; he wound a spring, and the Turk's left hand started the game. The Turk made a brilliant success, and Standage credits him with making waves in numerous ponds. Celebrities sought him out; Ben Franklin and Napoleon lost, ungraciously, to the wooden man. Maria Theresa’s successor, Joseph II, requested that Kempelen make a goodwill tour of Europe in 1781. Britons like Edward Cartwright, inventor of a cutting-edge power loom, and Charles Babbage, creator of a proto-computer called the Difference Engine, praised the Turk for inspiring their imagination and ambition. When the Turk came to America in 1834, P.T. Barnum appreciated new owner Johann Maelzel's showmanship and manipulation of the press. Edgar Allan Poe wrote an early detective story attempting to discover the Turk's methodology; he correctly described parts of it, but not the entire process, which was revealed by the last owner’s son only in 1857, three years after the Turk's death by fire in Philadelphia.

Good fun, and a gentle reminder that science and showbiz have been happy partners for a long time. (25 b&w illustrations, throughout)

Pub Date: April 25, 2002

ISBN: 0-8027-1391-2

Page Count: 288

Publisher: Walker

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2002

Did you like this book?

No Comments Yet

A quirky wonder of a book.

WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 2, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Did you like this book?

Jahren transcends both memoir and science writing in this literary fusion of both genres.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2016

  • New York Times Bestseller

  • National Book Critics Circle Winner

LAB GIRL

Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.

The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.

Jahren transcends both memoir and science writing in this literary fusion of both genres.

Pub Date: April 5, 2016

ISBN: 978-1-101-87493-6

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 5, 2016

Kirkus Reviews Issue: Jan. 15, 2016

Did you like this book?

No Comments Yet
more