by Tomi Ungerer ‧ RELEASE DATE: March 1, 1967
The man in the moon—Moon Man—"curled up in his shimmering seat in space" yearns to Join the fun on earth. He catches the tail of a passing comet which frightens the night creatures as it crashes and brings soldiers speeding to defend the earth (and the ice cream man to sell to the spectators). The pale, soft creature in the crater is called an invader and thrown in Jail. One night as he wonders at his cruel treatment, the Moon Man notices that his left side has faded. "Why, I must be in my third quarter," he thinks happily. Every night as the moon grows thinner, so does he, until he is able to squeeze through the bars of his window. But his freedom is brief: chased by the police again, Moon Man comes upon an ancient Castle where a long-forgotten scientist is perfecting a spacecraft to reach the moon. Realizing that he can never live peacefully, on earth, Moon Man agrees to be the first passenger. Now that the space-craft has been launched successfully, Herr Doktor receives his delayed recognition; now that he has satisfied his curiosity, the Moon Man remains "ever after curled up in his shimmering seat in space." The contrast between the Moon Man, a foreshortened Uncle Fester, wistful and appealing and immaterial, and the stridency and stupidity of his tormentors' is exploited by the bright, galloping illustrations, as effective as any Tomi Ungerer has done. This has some of the sting of Dr. Strange-love—but tenderized, the contemporary charisma of Where the Wild Things Are: it's great.
Pub Date: March 1, 1967
ISBN: 0714855987
Page Count: 40
Publisher: Harper & Row
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: March 1, 1967
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Kobi Yamada ; illustrated by Gabriella Barouch ‧ RELEASE DATE: Sept. 15, 2019
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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