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MOON MAN

The man in the moon—Moon Man—"curled up in his shimmering seat in space" yearns to Join the fun on earth. He catches the tail of a passing comet which frightens the night creatures as it crashes and brings soldiers speeding to defend the earth (and the ice cream man to sell to the spectators). The pale, soft creature in the crater is called an invader and thrown in Jail. One night as he wonders at his cruel treatment, the Moon Man notices that his left side has faded. "Why, I must be in my third quarter," he thinks happily. Every night as the moon grows thinner, so does he, until he is able to squeeze through the bars of his window. But his freedom is brief: chased by the police again, Moon Man comes upon an ancient Castle where a long-forgotten scientist is perfecting a spacecraft to reach the moon. Realizing that he can never live peacefully, on earth, Moon Man agrees to be the first passenger. Now that the space-craft has been launched successfully, Herr Doktor receives his delayed recognition; now that he has satisfied his curiosity, the Moon Man remains "ever after curled up in his shimmering seat in space." The contrast between the Moon Man, a foreshortened Uncle Fester, wistful and appealing and immaterial, and the stridency and stupidity of his tormentors' is exploited by the bright, galloping illustrations, as effective as any Tomi Ungerer has done. This has some of the sting of Dr. Strange-love—but tenderized, the contemporary charisma of Where the Wild Things Are: it's great.

Pub Date: March 1, 1967

ISBN: 0714855987

Page Count: 40

Publisher: Harper & Row

Review Posted Online: Oct. 24, 2011

Kirkus Reviews Issue: March 1, 1967

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BEDTIME FOR BATMAN

From the DC Super Heroes series , Vol. 1

This should send Dark Knight fans flying to the Batcave—or the bedroom.

Holy bedtime, Batman!

In a sleepy-looking neighborhood under a dusky cerulean sky, a young, brown-haired, white boy goes through the motions of getting ready for bed: he brushes his teeth, takes a bath, picks up his toys, and feeds his fish. In a parallel visual narrative, beckoned by the cat's-eye–yellow bat-signal, Batman keeps Gotham safe for another night by catching crooks, locking them away, and avenging those who have been wronged. Though the two characters are quite different, through a carefully flexible narrative, Dahl and Beavers weave a convincing tale of just how similar they might be. “It’s time to take care of business” describes the child’s trip to the potty and Batman’s dive down a manhole equally well, for instance. Beavers' art is visually striking and vibrantly hued, perfect for keeping young eyes glued to each page. Dahl's economical text is cadenced with a gentle lilt, just right for a bedtime read-aloud. Young fans of the caped crusader will delight in spying their favorite characters. In the already-overstuffed bedtime-book market, this is certainly a niche read, but it hits its mark well, delivering fun without darkness. A “bedtime checklist” at the end aptly includes “story time.”

This should send Dark Knight fans flying to the Batcave—or the bedroom. (Picture book. 3-8)

Pub Date: Aug. 1, 2016

ISBN: 978-1-62370-732-3

Page Count: 32

Publisher: Capstone Young Readers

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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