A lovely, simple reminder to pause and notice this life.
A white-bearded grandfather imparts his gentle wisdom to his grandchildren—a girl and a boy—as they meander through a placid green space.
Together, the grandfather and children make note of the bustling natural world. The birds are flying, the dog is running; everyone seems to be in a hurry. The grandfather suggests that the children try another way of being with him, sitting quietly on a bench. The creatures around them respond to their stillness, also taking a moment to rest. As the book draws toward its close, each child is featured in a full-page portrait illustration, gazing out as they note what the quiet and stillness offers to them: “I can think, when I’m quiet. / I can see, when I’m still.” It seems as though the prolific author and illustrator dePaola is speaking directly to readers on these pages, passing on his own insight. His signature illustration style is so simple that it feels fresh. Thick outlines separate individual shapes, and the muted palette epitomizes softness. A single white lotus floats in a small pond on the final page, perhaps paying homage to contemplative practices such as mindfulness that encourage making space for quiet reflection in our busy lives. Children and grandfather have light skin, the girl with straight black hair and the boy with a curly red mop.
A lovely, simple reminder to pause and notice this life. (Picture book. 4-8)Pub Date: Oct. 9, 2018
ISBN: 978-1-4814-7754-3
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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BOOK REVIEW
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