Rueful, quirky writing: in essence, middle-aged chick-lit.
Eleven linked stories develop a character from an award-winning first collection.
Graham’s The Daiquiri Girls (1998) featured four San Franciscan women, one of whom, fortysomething Jane McAllister, now takes center stage in a sequence of connected episodes starting with “Kilter” and “Guest” from Daiquiri. Jane has loved three men—the Father, the Son, and the Holy Ghost, as she refers to divorced Bert, who fathered her daughter; Andrew, who married her because she was like his mother; and Lars, who died in a car crash. Four years later, Jane is living alone, unhappy at work, menopausal, and ends “Kilter” by taking refuge under the bed. Subsequent stories move her a couple of years into the future, but not far beyond these concerns. In “Twins,” she’s become a clinical psychologist but is dissatisfied with her clients; two stories later, in “The Blue Book of Dogs,” she sells her practice and becomes a dog-walker; three stories beyond that she has moved to Cheever, in northern California, and returned to psychology. Her other preoccupations—principally Lars, sex, and survival—follow equally circular paths. In “Guest” and “In the Realm of the Senses,” she has sexual partners, but they’re predictably fleeting. Author Graham illumines Jane’s world with gallows humor, ranging from the surreal to the simply withering, as in the case of Jane’s stress incontinence. Indeed, the volume is unflinching in its focus on the plight of the single, middle-aged woman and, despite diversions, this is the place to which all the narratives return, sometimes manipulatively—as in “Eyes of Glass,” where Jane’s move to Cheever renders her “friendless, loveless and just about moneyless” all over again. Meanwhile, Elvis becomes a Godot-like mantra of unfulfilled expectation, not just in the title story but also in “Fortune”: as Graham writes, Jane, dreaming of rescue, “might as well expect a proposal from dead Elvis.”
Rueful, quirky writing: in essence, middle-aged chick-lit.Pub Date: Feb. 1, 2005
ISBN: 0-9728984-4-1
Page Count: 216
Publisher: Leapfrog
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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