An intense bag of horror goodies, fortified by strong female protagonists.
A family encounters strange people and even stranger creatures during a nightmarish summer vacation in this debut novel.
The Nunios family getaway may not be relaxing for 16-year-old Alison. It means close quarters with her shiftless older brother and fresh high school graduate, Michael, and her constantly feuding parents. Luckily, best friend Olivia’s along for the trip, though her company’s a persistent reminder that, with Olivia’s family moving, the two will be separated for the upcoming school year. Cape November is nostalgic for Alison’s parents, who recall visiting the place in their youth and hearing the local legend of Cappy the sea monster. But bizarre occurrences start before they’ve reached Cape November; the minivan apparently hits something, and stopping to check an object lying in the road leads to an attack from a giant bird and biting insects. Their hotel in the Cape, meanwhile, is the spooky Maggie’s Mansion, where they’re awakened by a scream in the dark. None of this, however, prepares them for a town of hooded figures and creepy kids with sharp sticks. There are stories of missing residents, which may soon include Alison’s mysteriously absent parents or the teen herself. Favetta saves most of the horrors for later, wisely spending the first half of the eerie tale developing characters. Alison, for one, who’s smart but sometimes condescending (derisively dubbing Michael a “genius”), is fittingly counterbalanced by astute and empathetic Olivia. Romance, too, is understated: Olivia’s openly gay, while Alison’s clearly attracted to her but seems conflicted. The author drops hints of what’s coming: pictures of a tentacled beast and Olivia seeing hooded men menacingly approach the minivan. The potent final act is best left unspoiled, but entails otherworldly creatures, visceral death, and shades of H.P. Lovecraft. Formidable Alison and Olivia bolster a feminist theme, prevalent in keen, self-deprecating dialogue: when Alison fears that fleeing makes them look like scared girls, Olivia remarks, “We are a couple of scared girls.”
An intense bag of horror goodies, fortified by strong female protagonists.Pub Date: Feb. 24, 2017
ISBN: 978-0-9972024-3-4
Page Count: 340
Publisher: Can't Put It Down Books
Review Posted Online: May 3, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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