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MULE

A NOVEL OF MOVING WEIGHT

A smart and bracing ground-level exploration of the drug trade.

A young family man escapes the Great Recession by driving marijuana cross-country, raking in good money and bad vibes.

“Drive fast and swerve a lot” is the joking advice drug dealers give mules like James, an unemployed freelance journalist who begins driving pounds of weed from California to Florida to make ends meet when he and his pregnant wife fall out of work. Of course, the job involves a stressful amount of careful attention to detail, not just to the speed limit but to the type of car, its plates and the safest routes. Some early pages shoehorn in an overabundance of detail about the legal complexities of the gig, but the book is largely a propulsive and intense journey into the degradations of living in the black market. James’ story begins in the middle of 2006, the start of the U.S. economy’s latest stumble, and as the markets collapse he takes some comfort in the large wads of cash he accumulates. But happiness is fleeting and, as D’Souza reveals, ultimately inaccessible. Sub-dealers break promises, which leads to violence; the business demands keeping secrets, which slowly drives a wedge between James and his wife. The book is a departure from D’Souza’s previous two novels, 2006’s Whiteman and 2008’s The Konkans, which focused on themes of race and assimilation, but he eases comfortably into this milieu: He’s clearly studied the mechanics of the marijuana trade, and he addresses it in ways that reject the simple moral boundaries of most cinematic portrayals of drug dealers. D’Souza captures the push and pull of James’ emotions, his paranoia and his frazzled rationalizations. James has a nerviness that makes him perfect for the gig, but it’s agonizingly clear how much he sacrificed to get it.

A smart and bracing ground-level exploration of the drug trade.

Pub Date: Sept. 28, 2011

ISBN: 978-0-547-57671-8

Page Count: 304

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Aug. 1, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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