 
                            by Tony Fucile ; illustrated by Tony Fucile ‧ RELEASE DATE: April 11, 2017
Droll humor, an unusual design, and an appealing main character add up to a funny addition to the canon of canines adjusting...
A pampered Chihuahua gradually realizes its owners are preparing for an impending arrival in the family.
Little Louie enjoys a pleasant, predictable life with Mom and Dad, who are white, as they meet the pup’s every need. Louie eats at the table with them, sleeps in their bed, and enjoys being at the center of their attention. Things begin to change with the visits of friends with babies, and then Mom begins to grow visibly larger in the belly region. New purchases are made, with matching sets of each item, such as little beds, sweaters, and hats. When Louie spies a double stroller, the conclusion seems inevitable: twins must be on the way. After an unsuccessful attempt at running away, Louie is pleased to meet just one new “baby brother.” In the final scene, Louie and the baby are shown together in the stroller wearing matching hats and sweaters. Fluid, line-and-color illustrations in pencil and watercolor use a sophisticated palette of gray or white backgrounds with minimal color accents. An extra-large trim size allows for a pleasing variety of illustration perspectives, including two huge, double-page spreads with laugh-out-loud views of Louie being kicked by the then–in utero baby and imagining the arrival of twins. Fucile’s background as a feature film animator is evident in the comedic pacing and polished, understated composition of scenic constructions.
Droll humor, an unusual design, and an appealing main character add up to a funny addition to the canon of canines adjusting to new babies. (Picture book. 4-7)Pub Date: April 11, 2017
ISBN: 978-0-7636-5828-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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                            by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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                            by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
Our Verdict
 
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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