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TONY AND THE PIZZA CHAMPIONS

While pizza and all its toppings may prove a tasty topic for a young audience, the flat plot and heavy message herein will leave few readers craving a second helping. Loosely based on a true story, Gemignani describes his team’s work in an international pizza-throwing competition. In tall-tale fashion, Tossing Tony joins his fellow teammates in his extra-large Pizzamobile to prepare for the world championships. Each member has a special skill: Strong Sean tosses his enormous dough on his front lawn while Silly Siler balances pizza while riding his unicycle, and so on. Predictably, the Americans’ pizza-pyramid wins accolades during the international event, though contrived dialogue results in a stunted presentation. “Teamwork,” they say to themselves. “It’s all about teamwork.” Interesting factlets examine pizza’s regional and international differences, though they do little to describe the competition’s specifics. Trueman’s bright mixed-media cartoons evoke the rich flavors of their subject; fiery reds and golden tans energize the colorful art. Depth and texture enhance the angular characters, but overall, this dry narrative lacks spice. (resources, recipes) (Picture book. 5-8)

Pub Date: April 1, 2009

ISBN: 978-0-8118-6162-5

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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