Spun from a 1995 visit, these 34 short poems are largely meditations on the wildlife of the Gal†pagos Islands and their past: after a long voyage, a rice rat arrives on a tangle of floating vines, a tall flamingo “drinks from its/cool green reflection,” a Sally Lightfoot crab comes “skibbling over the sand/in/delicate/dressage,” and Darwin’s ship, The Beagle, harbinger of so much destructive change, returns, ghostly, to bob like a shell in the offshore mist. Using a variety of verse forms and rhyme schemes, Johnston conveys her visions and observations in easy, everyday language; Pohrt’s drawings capture a sense of the locale’s isolation in depictions of a single creature clambering over flotsam, or small stretches of rocky coastline. This is a quiet, low-key celebration of a remote, endangered natural community. (Poetry. 8-12)
Pub Date: Oct. 8, 1999
ISBN: 0-374-35648-3
Page Count: 64
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
Hall (The Oxford Book of Children’s Verse in America, 1985, etc.), offers up a chestnut-flavored alternative for younger readers, matching roughly contemporary illustrations to one or two selections from each of 57 American poets. To the usual suspects—Eugene Field’s “Wynken, Blynken and Nod,” Emily Dickinson’s “I’m nobody, who are you?” and even Carl Sandburg’s “Fog”—he adds more recent works from the likes of Jack Prelutsky, Gary Soto, Sandra Cisneros, and Janet S. Wong; he also includes three poems attributed somewhat baldly to an “Anonymous Native American.” The art comprises a gallery of American illustration, from crude 18th-century woodcuts, through Jessie Willcox Smith, to Marcia Brown and the Dillons. Writing that “poetry is most poetry when it makes noise,” Hall recommends these verses for reading aloud and memorization, exhorting parents and children to appreciate how they “preserve a moment of the American past.” A safe collection, seldom veering from the canon. (index) (Poetry. 9-11)
Pub Date: Nov. 11, 1999
ISBN: 0-19-512373-5
Page Count: 93
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)
Pub Date: Oct. 1, 1999
ISBN: 0-7636-0683-9
Page Count: 107
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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