by Tony Johnston & illustrated by Cheng-Khee Chee ‧ RELEASE DATE: Sept. 1, 2005
Impressionistic watercolor illustrations filled with blowing snow and blue-gray skies set a wintry tone in this poetic exploration focusing on the sounds and sights of Christmas Eve, such as a church bell ringing from “an icicle-pointed steeple.” Johnston’s poem uses the word “Noel” in bold type throughout the text to indicate the sound of the church bell, but there are also the sounds of a brass band, sleigh bells and Christmas carols. The text is full of sensory details of all sorts: “a dark snow-smell,” “ears red with cold,” a tree decorated with cookies and candies. Chee’s soft-focus watercolors show just enough to draw the reader into each scene, while holding back specifics so that the viewer has to participate in the art by filling in some of the details. His impressionistic paintings are a fine match for the poem that serves as the text: Both seem to say that the hours of Christmas Eve rush by quickly in a blur of sensations too intense to last. (artist’s note) (Picture book. 5-8)
Pub Date: Sept. 1, 2005
ISBN: 1-57505-752-2
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2005
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2022
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience.
The How to Catch A… crew try for Comet.
Having already failed to nab a Halloween witch, the Easter Bunny, a turkey, a leprechaun, the Tooth Fairy, and over a dozen other iconic trophies in previous episodes of this bestselling series, one would think the racially diverse gaggle of children in Elkerton’s moonlit, wintry scenes would be flagging…but no, here they lay out snares ranging from a loop of garland to an igloo baited with reindeer moss to an enticing candy cane maze, all in hopes of snagging one of Santa’s reindeer while he’s busy delivering presents. Infused with pop culture–based Christmas cheer (“Now I’ve already seen the shelf with the elf”), Comet prances past the traps until it’s time to gather up the kids, most of whom look terrified, for a group snapshot with the other reindeer and then climb back into harness: “This was a great stop but a few million to go / Christmas Eve must continue with style!” Though festive, the verse feels trite and unlikely to entice youngsters. A sprinkling of “True Facts About Reindeer” (“They live in the tundra, where they have friends like the arctic bunny”) wrap up this celebration of the predatory spirit. (This book was reviewed digitally.)
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience. (Picture book. 5-7)Pub Date: Oct. 4, 2022
ISBN: 9781728276137
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 12, 2022
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Sheila Hamanaka ‧ RELEASE DATE: Aug. 1, 1994
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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